'Stoker': A Stylish Slice of Malice
Park Chan-wook's first movie in English may be more conventional than his earlier films, but it's still a sleek, nasty thriller.
Park Chan-wook's first movie in English may be more conventional than his earlier films, but it's still a sleek, nasty thriller.
Columbia
More critiques of critiques of my critique of modern-day romantic comedies
Columbia Pictures
Critiquing a critique of my critique of modern-day romantic comedies
The Atlantic's film critic picks out this year's Oscar winners
DreamWorks
DreamWorks' 'The Croods,' David Gordon Green's 'Prince Avalanche,' and more
Sony Pictures Classics
Notes on Richard Linklater's 'Before Midnight,' Fredrik Bond's 'The Necessary Death of Charlie Countryman,' and others
Don Jon's Addiction
Notes on Wong Kar-Wai's latest, Joseph Gordon-Levitt's directorial debut, and 'Lovelace'
Chris Orr
New evidence of a God complex emerges.
Open Road
Steven Soderbergh's latest confounds expectations with outstanding panache.
Summit
Sure, the premise is creepy, but Nicholas Hoult brings life to an undead role.
The world may never run out of oil—and the consequences could be dire. Plus: avoiding the worst parts of death, Henry Kissinger's statesmanship, reconsidering hair metal, and more.