What TV Will Lose When How I Met Your Mother Goes Off the Air

The show's earnest, feel-good stories about love and friendship didn't always win over critics, but they were a refreshing anomaly among contemporary sitcoms.
CBS

How I Met Your Mother's title sequence starts with a picture of Lily Aldrin (Alyson Hannigan) holding a disposable camera, one of those antiquated device that impoverished college students and struggling yuppies used to record memories during the early 2000s.

It’s a charmingly dated image—what 20-something would bring a disposable camera to a bar in the iPhone era? But that datedness actually fits the show perfectly. HIMYM, which will end on Monday after nine seasons on CBS, has been the old soul of network comedy for the past decade, and that’s why it’s so beloved—even if critics often scoffed at it.

Since 2005, the year HIMYM premiered, sitcoms have gotten pretty innovative. 30 Rock infused the format with unprecedented levels of snarky dialogue and clever satire. Single-camera shows like The Office and Modern Family introduced new stylistic sensibilities and satirized reality TV tropes. Non-network comedies like Louie and Girls used stark realism to achieve biting poignancy.

Viewed alongside these creative breakthroughs, the multi-camera, laugh-tracked comedy of HIMYM often seemed like a throwback to the Cheers era. Or, even more specifically, it often seemed like a faster-paced version of Friends. The premise, after all, is awfully similar: Five young New Yorkers spend an inordinate amount of time in a neighborhood bar (rather than a neighborhood coffeehouse), enjoy sleeping with one another, and engage in various shenanigans as they navigate the space between adolescence and adulthood. The primary difference between the two shows is that while Friends usually attempted to suppress the cheesier aspects of its plot, HIMYM has always been unapologetically sentimental. From its title to its overarching narrative, HIMYM offered a schmaltzy celebration of a hapless romantic and the four friends who endlessly support him in his quest to find Mrs. Right.

This was true from the inception. In the pilot episode, protagonist Ted Mosby (Josh Radnor) comes to the realization that he’s not good at being single. He would rather settle down and become the head of a household, a role that he thinks will suit his dorky-dad-like qualities and his desire for the quiet life. And while ensuing seasons demonstrate that Ted is not quite as father-ready as he assumes himself to be—his character could be described as someone who really wants to be wiser than his years but isn’t quite there yet—this overt yearning to get past singledom forms the show’s thematic base.

At a time when Americans are increasingly getting hitched at later ages or avoiding nuptials altogether, the idea of an attractive 20-something living in one of the world’s most vibrant metropolises and wanting nothing more than to settle down with a wife and kids feels hopelessly old-fashioned. Yet HIMYM found nuance in the way people can still pursue a traditional vision of happiness.

The point of the show never lay in the exact machinations which led Ted to “the mother.” It lay in the events that shaped Ted into husband-worthy material. Before he could truly evolve into the dad who narrates the show, he had to learn from a slew of bad relationships with women he had little in common with, let the devastation of heartbreak mellow his overzealous soul, and stop confusing his close friendship with Robin for something more. 

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Kevin Craft is a writer based in Arlington, Virginia. His work has appeared in The Washington Post, Salon, and Arlington Magazine.

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