The Very Best Cookbooks of the Year

A guide for chefs and food lovers alike

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Gran Cocina Latina: The Food of Latin America, by Maricel E. Presilla

Few years yield books as encyclopedic and scholarly as this. Presilla, a culinary historian with a Ph.D. in medieval Spanish history, traveled everywhere in Latin America to bring an anthropologist's curiosity and trained cook's eye to the food of villages and cities. The result is the year's essential reference work, the first I've seen to comprehensively treat many countries whose food increasingly turns up in new restaurants--Peru, Ecuador, Brazil, Cuba, of course Mexico--along with cuisines we never see, like those of Nicaragua, Uruguary, Paraguay.

As huge as the book is, it's designed to be usable by cooks, with chapters organized by ingredients and families of dishes, rather than by the many countries or ethnic influences Presilla carefully traces. From her years of running two successful and well-regarded Hoboken restaurants, Zafra and Cucharamama (for which she won a James Beard award last year), she knows what's practical. So alongside a complete explanation of the botanical history of the ubiquitous yuca, she'll talk about the virtues of canned yucca. In a section on the yet more ubiquitous potato she'll say, "Most of the time plain old russets will beat all the fancy competition for that crucial Andean mealiness." Here is a guide you must have for familiar dishes like ceviche, tamale, black bean soup, and moles, with multiple variants and simple master recipes. But even more than that, Presilla imparts her own joy in learning and cooking new foods.

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Jerusalem: A Cookbook, by Yotam Ottolenghi and Sami Tamimi

There are two "it" cookbooks this year, and Jerusalem is the ittier, a modern portrait of the food of Israel taking into account pretty much every Mediterranean culture, including trendy ones the food-aware are dutifully incorporating into their cooking, like Italian, Moroccan, and Turkish. It's so popular because Ottolenghi, a successful restaurateur and writer in England, has developed something of an international cult following for his stylish and imaginative vegetarian dishes and column in The Guardian. And this book has been such an insider hit, I would argue, because American Askenazic Jews love finding "Jewish" food that corresponds to the way they like to eat, rather than the schmalz, potatoes, and cabbage of their grandmothers.

Whatever the rich cultural antecedents--which include those of Ottolenghi's German-Italian academic parents, who raised him in Jewish West Jerusalem, and of Tamimi's Muslim parents in East Jerusalem--this food, with its emphasis on vegetables, north African spices, and Mediterranean condiments, slots exactly into what people are cooking today. Example of being exactly on trend? Shell pasta in a hot sauce of Greek yogurt with garlic, peas, pine nuts, Aleppo pepper, torn basil leaves, and feta. It's a cream sauce with tang and without fat. Roast beet with more Greek yogurt, red chile, date molasses, and za-atar, garnished with toasted hazelnuts and crumbled goat cheese. Roast chicken thighs with Jerusalem artichokes, garlic, saffron, lemon juice, and tarragon.

Little of it is recognizably Jewish, most of it is recognizably good--and friends declare a very high batting average for recipes that has them putting in advance orders for Ottolenghi, full of more-elaborate food of the kind that made his London restaurants successful. (It came out before Jerusalem in England, but will be published here next spring.) By then, you might lose the cachet you still get by saying, as you bring a bright dish to the table, "It's Ottolenghi." So start here.

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Modernist Cuisine at Home, by Nathan Myhrvold and Maxime Bilet

The other "it" cookbook of the year is Modernist Cuisine at Home, the follow-up book to last year's monumental six-volume Modernist Cuisine, which I wrote about here and think is the food-related publishing event of the past decade. Any serious cook must have it, if only for the masterly, encyclopedic, beautifully laid-out explanations of technique and history and sanitation. And it's full of cool pictures. But its current list price on Amazon is $567, and isn't particularly user-friendly for anyone who wants to head straight to the kitchen.

Modernist Cuisine At Home is also oversized and boxed and full of cool pictures, but costs a relatively modest $120. As with the five-volume set, the editorial team assembled by Nathan Myhrvold, the tech visionary and indefatigably experimenting cook, along with his main chef, Maxime Bilet, has made every spread beautiful and neat just to open and look at. Like its predecessor, each entry is meant to teach; unlike its predecessor, though, this volume is geared to a lower-tech kitchen.

And pretty much every spread shows underlying techniques and tricks you likely never thought of. For instance, a simple quinoa salad with cauliflower--it just requires a pressure cooker, and it's really fast--it takes just four minutes of cooking for the quinoa, something that never occurred to me to try, and includes the tip of freezing a baking sheet to cool the cooked grain for the salad. And cauliflower is rendered palatable (i.e., invisible) to doubters by being shaved over a mandoline or grated on a Microplane grater, mixed with green apple, celery, pine nuts, currants, and a hone-vinegar and lemon dressing. Easy, right? And good for winter. And not what you'd expect from this book.

Some of the techniques that will likely change your own regular practices include "low-temp oven steak," which involves first freezing steaks or any other tender cut of meat, quickly searing them, then putting it into the oven at the lowest temperature until a digital thermometer reads 133 F (or your desired degree of doneness). This, Myhrvold explains, yields meat that's evenly done to exactly the degree you want, rather than meat with an overdone exterior and underdone dead-center.

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Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." More

Corby Kummer's work in The Atlantic has established him as one of the most widely read, authoritative, and creative food writers in the United States. The San Francisco Examiner pronounced him "a dean among food writers in America." Julia Child once said, "I think he's a very good food writer. He really does his homework. As a reporter and a writer he takes his work very seriously." Kummer's 1990 Atlantic series about coffee was heralded by foodies and the general public alike. The response to his recommendations about coffees and coffee-makers was typical--suppliers scrambled to meet the demand. As Giorgio Deluca, co-founder of New York's epicurean grocery Dean & Deluca, says: "I can tell when Corby's pieces hit; the phone doesn't stop ringing." His book, The Joy of Coffee, based on his Atlantic series, was heralded by The New York Times as "the most definitive and engagingly written book on the subject to date." In nominating his work for a National Magazine Award (for which he became a finalist), the editors wrote: "Kummer treats food as if its preparation were something of a life sport: an activity to be pursued regularly and healthfully by knowledgeable people who demand quality." Kummer's book The Pleasures of Slow Food celebrates local artisans who raise and prepare the foods of their regions with the love and expertise that come only with generations of practice. Kummer was restaurant critic of New York Magazine in 1995 and 1996 and since 1997 has served as restaurant critic for Boston Magazine. He is also a frequent food commentator on television and radio. He was educated at Yale, immediately after which he came to The Atlantic. He is the recipient of five James Beard Journalism Awards, including the MFK Fisher Distinguished Writing Award.

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