Via Ta-Nehisi, Hummus, Public Enemy, and Springsteen's 'Nebraska'

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In a little bit of cross-Voice experimentation, I answered a few questions about Chris Christie and Bruce Springsteen, the twin subjects of my most recent Atlantic article, from Ta-Nehisi. He has a way with questions. And with hummus. (Also, he bakes his own muffins. Do people know that?) Anyway, here's one part of our salubrious exchange (please note: if you don't immediately understand the Chuck D reference, my suggestion would be to Google the words "Elvis was a hero to most"):

Q: I'm a black dude from Baltimore. The best I can do is hum the hook to "Born In The USA"--mostly because Barry Windham and Mike Rotunda used it for their intro music. But recently I've been studying the musical culture of white people. Some good stuff there.

I am intrigued by your love of Springsteen.  You are known to be quite the hip-hop fan. I feel disadvantaged in your presence. How do we right this great historical wrong? Where in the sprawling catalogue might a thirty-something male crippled by a life of black privilege begin?

A: I'm happy you are taking up the study of the neglected musical legacy of white Americans. It's about time that African-Americans, who have profited so much from the appropriation of white music, focus on the great contributions to American culture made by this marginalized population. My own feeling is that while Chuck D was a hero to most, he never meant shit to me, he was a straight-up racist, that sucker was simple and plain, mother fuck him and Lil Wayne. But you know me, I'm just Jeff the Angry Caucasian, standing up for Leonard Chess.  

On the matter of Mr. Springsteen, you need to begin at a few places simultaneously: You need to listen to "She's the One," "Jungleland," and "Backstreets" from Born to Run, just to understand how epic the guy is; listen to "Rosalita" from The Wild, the Innocent and the E Street Shuffle in order to understand that he's tremendous, propulsive fun; and then listen to the entire Nebraska, not only because it's beautiful, but because it marks the decisive moment, for me at least, when Springsteen became the voice of the voiceless. You have to trust me on this--if you do this all on the same day, your life will change.  

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Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column. More

Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

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