Q. Whether it's your tweet, or Daniel Tosh joking about rape, or Tracy Morgan saying he'd kill his son if he came out to him, does it seem like the Internet is just adding more fuel to these fires?
A. Are they real fires? Or are people just reacting to something? Just because there's an alarm going doesn't mean it's a fire. And I think that people are confusing the two. It's only a fire when it offends the fans, and the fans turn on you. Tosh has fans, and they get the joke. If you've watched enough Tracy Morgan, you let the worst thing go by. When did Tracy Morgan become Walter Cronkite? You have to mean something to me to offend me. You can't break up with me if we don't date.
Q. You don't think some kind of threshold has been crossed?
A. When you're workshopping it, a lot of stuff is bumpy and awkward. Especially when you're working on the edge, you're going to offend. A guy like Tosh, he's at the Laugh Factory. He's making no money. He's essentially in the gym. You're mad at Ray Leonard because he's not in shape, in the gym? That's what the gym's for. The sad thing, with all this taping and stuff, no one's going to do stand-up. And every big stand-up I talk to says: "How do I work out new material? Where can you go, if I have a half an idea and then it's on the Internet next week?" Just look at some of my material. You can't imagine how rough it was and how unfunny and how sexist or racist it might have seemed. "Niggas vs. Black People" probably took me six months to get that thing right. You know how racist that thing was a week in? That's not to be seen by anybody.
Q. What's the solution?
A. Honestly, I'm just trying to figure out how I'm going to do it. 'Cause the few times I've gotten onstage and thought about touring, immediately, stuff's on the Internet, I'm getting calls, and I'm like, this isn't worth it. I saw "Dark Knight [Rises]" the other night, and Bruce Wayne's walking into this party, and he presses a button, and no one's camera works. If I find a comedy club where no one's camera works, I'll go. I'll go back to comedy clubs when they get a real no-camera policy, the same way they did with smoking. But hey, they used to be the smokiest places in the world.
I think the last two thirds of this is a little more defensible than the first third. I'd be very interested in Rock's thoughts on comedy in the pre-1960s when racism was just part of the deal. Is Mickey Rooney's yellow-face in Breakfast at Tiffany's really only racist if Rooney's fans are offended? When Jackie Mason calls New York's first black mayor "a fancy schvartze with a mustache," and then refers to the country's first black president by the same term, is that fine as long as Mason's fans think its funny?
More interesting, to me, is Rock's sketch of how comedians work. For them, the act of writing and editing is performative. They have to try it out in order to see if it works or not. I don't think this is mere desire of the right to be wantonly cruel. Chris Rock has always been good at creeping right up to the edge of the line, and then dancing on it. But sometimes, even he isn't sure where the line is. He cites "Niggas vs. Black People," a routine I once hated but now kind of love. Rock himself actually stopped performing because the response from white people made him uncomfortable. I think that balancing act is incredibly difficult, and I could understand why you might need a few tries to get it right.
I understand Rock's desire for a serious no-camera policy, but it should be paired with something else--honest billing. What Rock is claiming, basically, is that what you see in comedy clubs are works in progress. It might help if the clubs actually said that up front.
According to Arthur, just a few months later, all 60 members of a committee selected by the American Dialect Society voted to google 2002’s most useful new word. Merriam-Webster and the Oxford English Dictionary would soon note the coinage. By 2006, Google’s lawyers—fearful of seeing the company’s name brand watered down to the trademark mushiness of kleenex—wrote a post for the company blog outlining when and when not to google should be used.
From the “400-pound” hacker to Alicia Machado, the candidate’s denigration of fat people has a long tradition—but may be a liability.
One of the odder moments of Monday’s presidential debate came when Donald Trump speculated that the DNC had been hacked not by Russia but by “someone sitting on their bed that weighs 400 pounds.” He was trying to suggest the crime had been committed by someone unaffiliated with a government—but why bring up fatness?
Weight seems to be one of Trump’s preoccupations. The debate and its fallout highlighted how he publicly ridiculed the Miss Universe winner Alicia Machado as “Miss Piggy” and an “eating machine,” and how he called Rosie O’Donnell a “fat pig” with “a fat, ugly face” (“I think everyone would agree that she deserves it and nobody feels sorry for her,” he said onstage Monday). He also recently poked fun at his ally Chris Christie’s weight-loss struggles and called out a protestor as “seriously overweight.” And when he was host of The Apprentice, he insisted on keeping a “funny fat guy” on the show, according to one of its producers.
The biggest threat to the Republican nominee is not his poor performance in the debate, but his reaction to it: blaming microphones, insisting he won, and doubling down on gaffes.
Debates seldom make a great deal of difference to the outcome of the election. Mitt Romney’s dominating performance in the first debate four years ago? Didn’t stop Obama’s reelection. Gerald Ford’s “no domination of Eastern Europe” gaffe in 1976? He rose after it.
Sure, it’s better to win than to lose, but the historical record is a good reminder of why Hillary Clinton’s strong performance in Monday’s debate could have a limited effect on the election’s outcome. If it does have a lasting impact, however, it will likely be due not to what happened on stage at Hofstra University, but due to Donald Trump’s hectic, frenetic crisis-communications strategy.
This is a pattern amply seen before in the election: Trump gets caught in a tight spot, and rather de-escalate, he tends to take out the bellows and fan the flames as much as he can. Time and again, he has managed to overtake a news cycle (and often overshadow bad news about Clinton) thanks to bad crisis management. It’s what he did in his tiff with Khizr and Ghazala Khan, and so far it’s his post-debate strategy, too.
In a unique, home-spun experiment, researchers found that centripetal force could help people pass kidney stones—before they become a serious health-care cost.
East Lansing, Michigan, becomes a ghost town during spring break. Families head south, often to the theme parks in Orlando. A week later, the Midwesterners return sunburned and bereft of disposable income, and, urological surgeon David Wartinger noticed, some also come home with fewer kidney stones.
Wartinger is a professor emeritus at Michigan State, where he has dealt for decades with the scourge of kidney stones, which affect around one in 10 people at some point in life. Most are small, and they pass through us without issue. But many linger in our kidneys and grow, sending hundreds of thousands of people to emergency rooms and costing around $3.8 billion every year in treatment and extraction. The pain of passing a larger stone is often compared to child birth.
In North Carolina, the Democratic candidate basked in her debate victory. As for her supporters, they’re feeling better, but they’re not ready to exhale.
RALEIGH, N.C.— "Did anybody see that debate last night? Ooooh yes," Hillary Clinton said, her first words after striding confidently out on stage at Wake Technical Community College Tuesday afternoon.
As a capacity crowd cheered, she added, "One down, two to go."
Celebration and relief added to the thick humidity of late summerat Clinton’s event inNorth Carolina. Post-debate analysis is in that awkward in-between state, after the pundits have rendered their verdicts and before high-quality polling has measured the nation’s response. But the Democratic nominee seemed sure that she was the victor.
It was Clinton’s first event after the first presidential debate Monday evening in Hempstead, New York. One sign of her confidence coming out of that encounter: As I approached the rally, a man asked for a hand loading a heavy box into his car. He was the teleprompter man, he said, but when he arrived in Raleigh, he’d been told that Clinton had decided to do without the prompter. He was turning around and heading back to Washington, D.C.
The films touted for consideration this year include prestige projects like Martin Scorsese’s Silence and festival hits like Barry Jenkins’s Moonlight.
With the main film festivals of the fall (Telluride, Venice, and Toronto) now concluded, and Martin Scorsese finally confirming that his much-anticipated drama Silence will come out at the end of the year, the next three months will bring a calendar loaded with prestige releases. Among them are films that better reflect the wide range of faces and voices in America (and around the world), which have recently been severely under-represented on Oscar night. Audiences and critics will be paying especially close attention to the works and actors the Academy chooses to recognize, after the awards were condemned this year for nominating only white performers two years in a row.
The question, as always, is which films will be able to stand out once studios begin their awards campaigns in earnest. A lot can happen in a few months; after all, the season has already seen its earliest anointed front-runner practically disappear from the race. The former Best Picture favorite was the big story out of Sundance: The Birth of a Nation(October 7), a searing depiction of Nat Turner’s 1831 slave rebellion in Virginia written and directed by Nate Parker. The film won the festival’s Grand Jury Prize just as the conversation over the largely white Oscar nominations was at its loudest. The movie was acquired by Fox Searchlight for a record $17.5 million, with the studio promising a huge publicity campaign in the fall to help push it for awards contention.
For decades, the candidate has willfully inflicted pain and humiliation.
Donald J. Trump has a cruel streak. He willfully causes pain and distress to others. And he repeats this public behavior so frequently that it’s fair to call it a character trait. Any single example would be off-putting but forgivable. Being shown many examples across many years should make any decent person recoil in disgust.
Judge for yourself if these examples qualify.
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In national politics, harsh attacks are to be expected. I certainly don’t fault Trump for calling Hillary Clinton dishonest, or wrongheaded, or possessed of bad judgment, even if it’s a jarring departure from the glowing compliments that he used to pay her.
But even in a realm where the harshest critiques are part of the civic process, Trump crossed a line this week when he declared his intention to invite Gennifer Flowers to today’s presidential debate. What kind of man invites a husband’s former mistress to an event to taunt his wife? Trump managed to launch an attack that couldn’t be less relevant to his opponent’s qualifications or more personally cruel. His campaign and his running-mate later said that it was all a big joke. No matter. Whether in earnest or in jest, Trump showed his tendency to humiliate others.
A new study looks at rates of lethal violence across a thousand species to better understand the evolutionary origins of humanity’s own inhumanity.
Which mammal is most likely to be murdered by its own kind? It’s certainly not humans—not even close. Nor is it a top predator like the grey wolf or lion, although those at least are #11 and #9 in the league table of murdery mammals. No, according to a study led by José María Gómez from the University of Granada, the top spot goes to… the meerkat. These endearing black-masked creatures might be famous for their cooperative ways, but they kill each other at a rate that makes man’s inhumanity to man look meek. Almost one in five meerkats, mostly youngsters, lose their lives at the paws and jaws of their peers.
Gómez’s study is the first thorough survey of violence in the mammal world, collating data on more than a thousand species. It clearly shows that we humans are not alone in our capacity to kill each other. Our closest relatives, the chimpanzees, have been known to wage brutal war, but even apparently peaceful creatures take each other’s lives. When ranked according to their rates of lethal violence, ground squirrels, wild horses, gazelle, and deer all feature in the top 50. So do long-tailed chinchillas, which kill each other more frequently than tigers and bears do.
Congress delivered a historic rebuke to the administration on Wednesday by overriding Obama’s veto.
CIA Director John Brennan warned against the national security risks of legislation that would allow families of victims of the September 11, 2001 terror attacks to sue the government of Saudi Arabia on Wednesday.
“I think the legislation is badly misguided and doesn’t take into account the negative impact on U.S. national security,” Brennan told Jeffrey Goldberg at the Washington Ideas Forum presented by The Atlantic and the Aspen Institute. Brennan added: “We all recognize that the emotions associated with 9/11 are still quite palpable [and] …. the victims’ families are still seeking justices, but the 9/11 commission report said that there was no evidence that the Saudi government as an institution or senior Saudi officials, individually, were responsible for the 9/11 attack.”