I've been working on this piece for the magazine, and managed to finish a draft today. I wanted to put Rakim's "I Know You Got Soul" up here (you know for the "Been a long time, I shouldn't have left you") but I somehow I got diverted are started watching KRS-ONE's live shows. I love Rakim--still my favorite MC ever, with Raekwon and Nas coming in close. But KRS-ONE is almost a category to himself.
I didn't see KRS live until I was like 20 years old. Before then I knew him as a great MC, by which I mean an incredible lyricist with a great flow. But then I went away to college and saw him live. It's very hard to explain what happens (to this very day) at a KRS-ONE show. The first thing I need to say is KRS is a great, great performer--certainly the best rapper I've ever seen, and arguably the best performer I've seen bar none.
This is no small feat. I've never seen KRS with a band. He controls the crowd simply through voice and presence. For those of us who grew up controlling nothing, this has long had special meaning, and perhaps is key to understanding hip-hop's enduring power. At any rate, there are basically two KRS-ONEs. The first is the one I knew as a boy--an intellectual wordsmith, a philosopher. The second, the live one, I met later, is something else, something visceral and ferocious, something that represents beyond the artist himself.
The last time I saw KRS it was 1998. He came on stage and the baseline to "The Bridge Is Over" came on. He didn't say a word. He just walked the stage. The crowd went insane. People who'd never been to New York, or some no doubt from Queens itself, leaping in the air, chanting "The Bridge is over, The Bridge is over..." It was like his mere presence, the scowl on his face, his bop, combined with the music to transport us somewhere else.
This is nostalgia at its most powerful and meaningful. 1986 has a specific meaning to some of us. It's that era of Just-ICE, Mantronix and Sparky D, that moment just before hip-hop really broke (88, 89) and became one of the most significant artistic movement of the latter century. At that point it was really just a baby, but those of us who cradled it in the twin decks of our boom-boxes, out on porches, on benches, in projects, in dorm rooms, felt that we were watching something incredible happen. And then it did.
KRS represents that time--the Big Bang. His manic energy, his awkward freestyle, the way he mugs the crowd when "Still Number One" comes on. It's as if he takes in all of the dark energy of old, all that we felt on those streets addled with crack, haunted by Saturday Night Specials, drinks it and then radiates. You have to see him. Even now he is talismanic. A shaman of our lovely and painful past, who somehow stills move the crowd in this odd and different future.
I learned a long time ago to not speak of "greatest" anything in hip-hop unironically. But KRS has an actual claim to "greatest." There's nothing like him. I don't know that there ever will be.
It happened gradually—and until the U.S. figures out how to treat the problem, it will only get worse.
It’s 2020, four years from now. The campaign is under way to succeed the president, who is retiring after a single wretched term. Voters are angrier than ever—at politicians, at compromisers, at the establishment. Congress and the White House seem incapable of working together on anything, even when their interests align. With lawmaking at a standstill, the president’s use of executive orders and regulatory discretion has reached a level that Congress views as dictatorial—not that Congress can do anything about it, except file lawsuits that the divided Supreme Court, its three vacancies unfilled, has been unable to resolve.
On Capitol Hill, Speaker Paul Ryan resigned after proving unable to pass a budget, or much else. The House burned through two more speakers and one “acting” speaker, a job invented following four speakerless months. The Senate, meanwhile, is tied in knots by wannabe presidents and aspiring talk-show hosts, who use the chamber as a social-media platform to build their brands by obstructing—well, everything. The Defense Department is among hundreds of agencies that have not been reauthorized, the government has shut down three times, and, yes, it finally happened: The United States briefly defaulted on the national debt, precipitating a market collapse and an economic downturn. No one wanted that outcome, but no one was able to prevent it.
The June 23 vote represents a huge popular rebellion against a future in which British people feel increasingly crowded within—and even crowded out of—their own country.
I said goodnight to a gloomy party of Leave-minded Londoners a few minutes after midnight. The paper ballots were still being counted by hand. Only the British overseas territory of Gibraltar had reported final results. Yet the assumption of a Remain victory filled the room—and depressed my hosts. One important journalist had received a detailed briefing earlier that evening of the results of the government’s exit polling: 57 percent for Remain.
The polling industry will be one victim of the Brexit vote. A few days before the vote, I met with a pollster who had departed from the cheap and dirty methods of his peers to perform a much more costly survey for a major financial firm. His results showed a comfortable margin for Remain. Ten days later, anyone who heeded his expensive advice suffered the biggest percentage losses since the 2008 financial crisis.
The Internet caused my addiction, but it also helped me find a cure.
About a year ago, I was regularly seeing a therapist. During one session, I mentioned the niche porn I had watched and how I was unsure whether or not I wanted to embrace some of the "kinkier" fantasies, like rape and incest, through role-play in my real sex life. It was the only time I could remember her telling me that certain fantasies--not acted out in real life, just imagined--could be "wrong" or considered a "sickness." In retrospect, understanding my condition as an illness might actually have been empowering if explained differently, but at the time, it shut me right up. I never brought it up to her again.
I'm not alone in feeling silenced. Every day it prevents a lot of people from recovering. From porn.
The U.K.’s vote to leave the European Union betrays a failure of empathy and imagination among its leaders. Will America’s political establishment fare any better?
If there is a regnant consensus among the men and women who steer the Western world, it is this: The globe is flattening. Borders are crumbling. Identities are fluid. Commerce and communications form the warp and woof, weaving nations into the tight fabric of a global economy. People are free to pursue opportunity, enriching their new homes culturally and economically. There may be painful dislocations along the way, but the benefits of globalization heavily outweigh its costs. And those who cannot see this, those who would resist it, those who would undo it—they are ignorant of their own interests, bigoted, xenophobic, and backward.
So entrenched is this consensus that, for decades, in most Western democracies, few mainstream political parties have thought to challenge it. They have left it to the politicians on the margins of the left and the right to give voice to such sentiments—and voicing such sentiments relegated politicians to the margins of political life.
American society increasingly mistakes intelligence for human worth.
As recently as the 1950s, possessing only middling intelligence was not likely to severely limit your life’s trajectory. IQ wasn’t a big factor in whom you married, where you lived, or what others thought of you. The qualifications for a good job, whether on an assembly line or behind a desk, mostly revolved around integrity, work ethic, and a knack for getting along—bosses didn’t routinely expect college degrees, much less ask to see SAT scores. As one account of the era put it, hiring decisions were “based on a candidate having a critical skill or two and on soft factors such as eagerness, appearance, family background, and physical characteristics.”
The 2010s, in contrast, are a terrible time to not be brainy. Those who consider themselves bright openly mock others for being less so. Even in this age of rampant concern over microaggressions and victimization, we maintain open season on the nonsmart. People who’d swerve off a cliff rather than use a pejorative for race, religion, physical appearance, or disability are all too happy to drop the s‑bomb: Indeed, degrading others for being “stupid” has become nearly automatic in all forms of disagreement.
Shedding pounds is usually a losing battle—research suggests it’s better to just focus on building a healthy lifestyle.
“My own history of yo-yo dieting started when I was 15 and lasted about three decades,” said Sandra Aamodt, a neuroscientist and the author of Why Diets Make Us Fat, at the Aspen Ideas Festival on Saturday. “I lost the same 15 pounds pretty much every year during that same period, and gained it back regular as clockwork.”
This is a classic tale—the diet that doesn’t take, the weight loss that comes right back. The most recent, extreme, highly publicized case was that of the study done on contestants from the reality show The Biggest Loser, most of whom, six years after losing 100 to 200 pounds, had gained most of it back, and had significantly slowed metabolisms.
The study provided a dramatic example of how the body fights against weight loss. And sheer force of will is rarely sufficient to fight back.
The kerfuffle over Kim Kardashian's drug-promoting Instagram selfie is nothing new: As long as the agency has existed, it's had to figure out how to regulate drug advertisements in new forms of communication technology.
Last month, celebrity-news and health-policy bloggers had a rare moment of overlap after the Food and Drug Administration issued a warning letter to the pharmaceutical company Duchesnay, which manufactures Diclegis, a prescription-only anti-nausea pill. At stake: a single selfie with pill bottle.
The image that attracted the censure of the FDA was an Instagram posted on July 20 by Kim Kardashian. The image featured her upper torso, right hand, and face, with a bottle of Diclegis prominently displayed in her grasp. “OMG,” the caption began:
Have you heard about this? As you guys know my #morningsickness has been pretty bad. I tried changing things about my lifestyle and my diet, but nothing helped, so I talked to my doctor. He prescribed my Diclegis, I felt better, and most importantly it’s been studied and there is no increased risk to the baby.
How the Brexit vote activated some of the most politically destabilizing forces threatening the U.K.
Among the uncertainties unleashed by the Brexit referendum, which early Friday morning heralded the United Kingdom’s coming breakup with the European Union, was what happens to the “union” of the United Kingdom itself. Ahead of the vote, marquee campaign themes included, on the “leave” side, the question of the U.K.’s sovereignty within the European Union—specifically its ability to control migration—and, on the “remain” side, the economic benefits of belonging to the world’s largest trading bloc, as well as the potentially catastrophic consequences of withdrawing from it. Many of the key arguments on either side concerned the contours of the U.K.-EU relationship, and quite sensibly so. “Should the United Kingdom remain a member of the European Union or leave the European Union?” was, after all, the precise question people were voting on.
Twenty-three years after Listening to Prozac, Peter Kramer comes to the drug’s defense.
Several years ago, in the middle of reading volume five of The Princess Diaries to our elder daughter, my wife came to a passage about a dog who is so anxious when left alone that he licks himself until his hair falls out. The royal veterinarian has prescribed Prozac, but the young princess thinks the dog’s real problem is that it lives with her grandmother: “If I had to live with Grandmère, I would totally lick off all my hair.” Our daughter was curious about the medication, which she had never heard of. “Wouldn’t it be wonderful,” she said, “if there was something like that for people?”
There is, of course, something like that for people. It is prescribed by sober clinicians, dismissed by critics who wouldn’t give it to a dog, and puzzled over by a public unsure whether it is a life-changing medication or a fairy-tale invention. The confusion is understandable. In 1993, the writer-psychiatrist Peter D. Kramer published Listening to Prozac, his best-selling examination of a pill that promised to revolutionize the treatment of anxiety and depression. In 2010, the Harvard researcher and psychologist Irving Kirsch published The Emperor’s New Drugs: Exploding the Antidepressant Myth, a data-fueled argument that was lauded in a New York Review of Books essay called “The Illusions of Psychiatry” and featured on 60 Minutes, as well as in a Newsweek cover story. “Studies suggest,” the article reported, “that the popular drugs are no more effective than a placebo.”