R. Crumb's Forgotten Foray in the Music Business

Primarily remembered as a comic book artist, R. Crumb had a prolific second career drawing incredible album covers.

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Alex Steinweiss may be the father of the modern album cover, but Robert Crumb is its favorite weird uncle. Though best known as a pioneer of the underground comix movement, the subversive artist had long been fascinated with the music of the 1920s and 1930s—jazz, big band, swing, blues, cajun—so when, in 1968, Janis Joplin asked him to design the cover for her album Cheap Thrills, it was the beginning of R. Crumb's prolific second career illustrating hundreds of covers for artists emerging and legendary. In fact, Crumb's covers for yesteryear's forgotten masters were so influential in and of themselves that they spurred the rediscovery of many of these old records in the 1960s and 1970s.


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R. Crumb: The Complete Record Cover Collection captures Crumb's quirky, beautiful work and his enduring legacy in 450 vibrant four-color, black-and-white, and monocolor illustrations that exude his love of music and his love of art in equal measure. Accompanying his unmistakeable record covers are also posters, calling cards, advertisements, and stand-alone portraits of icons like James Brown, Frank Zappa, Gus Cannon, George Jones, Woody Guthrie, and more.


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In this narrated short, Crumb, who eventually learned to play the uke, banjo, and mandolin himself, talks about the convergence of his two passions:



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This post appears courtesy of Brain Pickings, an Atlantic partner site.

Image credits: W. W. Norton & Company

Presented by

Maria Popova is the editor of Brain Pickings. She writes for Wired UK and GOOD, and is an MIT Futures of Entertainment Fellow.

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