The Collaborative Design of Ancient Hive Cities

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What the ancient cities in Sudan and China can teach us about designing better communities

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The mythology of the sole genius underpins most contemporary creative disciplines, but it is particularly pronounced in architecture, where the image of the visionary diva-architect endures as the gold standard of the discipline's success. In 1964, Moravian-born American writer, architect, designer, collector, educator, designer, and social historian Bernard Rudofsky examined a whole other side of architecture in Architecture Without Architects: A Short Introduction to Non-Pedigreed Architecture—a fascinating lens on "primitive" and communal architecture, exploring both its functional value and its artistic richness, with a focus on indigenous tribal structures and ancient dwellings. Rudofsky peels the pretense of architecture from the creative and utilitarian acts of building to reveal a kind of vernacular, communal architecture embodying a timeless art form that springs from the intersection of human intelligence, necessity, and collective creativity.

I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture." ~ Bernard Rudofsky
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Underground city near Tungkwan (China)

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Anticoli on the Sabine Mountains (near Rome)

Rudofsky was concerned with the cultural bias of architectural history, so he took a special interest in the vernacular architecture of non-Western communities.

Architectural history, as written and taught in the Western world, has never been concerned with more than a few select cultures. In terms of space it comprises but a small part of the globe -Europe, stretches of Egypt and Anatolia- or little more than was known in the second century AD. Moreover, the evolution of architecture is usually dealt with only in its late phases." ~ Bernard Rudofsky
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Cliff dwellings of the Dogon tribe (Sudan)

(Curiously, Rudofsky's black-and-white photographs of clustered housing units bear a visceral resemblance to the illustrations of Soviet mathematician-turned-artist Anatolii Fomenko, conveying a strange sense of organic order.)

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Marrakech (Morocco)

The structures in Architecture Without Architects reveal a kind of purposeful, iterative, social design process that, while dating back centuries and originating in primitive cultures, offers a powerful parallel to contemporary shifts towards collaborative creation.

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This post appears courtesy of Brain Pickings, an Atlantic partner site.

Image credits: University of New Mexico Press

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Maria Popova is the editor of Brain Pickings. She writes for Wired UK and GOOD, and is an MIT Futures of Entertainment Fellow.

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