I teased at this the other day but wanted to bring out a bit. Here is Mr. Brooke. I gather some read him as a bit of idiot. I read him as a bit of an absent-minded professor. His niece has just returned from Rome and he is greeting her and her new husband Causabon:
"I need not ask how you are, my dear," said Mr. Brooke, after kissing her forehead. "Rome has agreed with you, I see--happiness, frescos, the antique--that sort of thing. Well, it's very pleasant to have you back again, and you understand all about art now, eh? But Casaubon is a little pale, I tell him--a little pale, you know. Studying hard in his holidays is carrying it rather too far. I overdid it at one time"--Mr. Brooke still held Dorothea's hand, but had turned his face to Mr. Casaubon--"about topography, ruins, temples--I thought I had a clue, but I saw it would carry me too far, and nothing might come of it. You may go any length in that sort of thing, and nothing may come of it, you know."
Brooke has a very particular way of speaking, which I find amusing. He almost reminds me of an insecticon. He repeats himself and tends to wave off entire epochs with three word summaries and the broad label "that sort of thing."
Ah? ... Well! He is a good match in some respects. But now, Chettam is a good match. And our land lies together. I shall never interfere against your wishes, my dear. People should have their own way in marriage, and that sort of thing--up to a certain point, you know. I have always said that, up to a certain point. I wish you to marry well; and I have good reason to believe that Chettam wishes to marry you. I mention it, you know."
Very true. You couldn't put the thing better--couldn't put it better, beforehand, you know. But there are oddities in things," continued Mr. Brooke, whose conscience was really roused to do the best he could for his niece on this occasion. "Life isn't cast in a mould--not cut out by rule and line, and that sort of thing. I never married myself, and it will be the better for you and yours. The fact is, I never loved any one well enough to put myself into a noose for them. It is a noose, you know. Temper, now. There is temper. And a husband likes to be master.
"Lydgate has lots of ideas, quite new, about ventilation and diet, that sort of thing,"
His cadence are the most unusual in the book, and stand out, as the rest of the voices aren't as well delineated. But I find myself meditating on how his voice sounds to me in my head.
The thing about Middlemarch is not that it is long, but that it is detailed. I don't mean detailed as an assembly of facts and descriptions. I mean detailed like an old Harlem brownstone, or the Cathedral up here in Morningside Heights. Mr. Brooke's voice is a place of retreat, a cavern for my mind to whirl around in or explore It is as if Eliot created a plot and then tricked it out, if I may be so profane. There are epigraphs, allusions to scientists who I do not know, weird unpredictable shifts in voice, notes on the history of medicine, Zen-like aphorisms, all of it attached to a narrative.
I find that I don't much care about the narrative ("the what happens next?") as I enjoy losing myself in the detailing, in the craftsmanship. This is what I mean when I claim that the novel has "physicality." The best thing about Middlemarch is that it has exploded my sense of what a novel can be. I felt the same way about Faulkner, but I think I also kind of dismissed because he wrote so small. (I'm speaking as a matter of subjective taste, as opposed to fact.) He often just seemed a little crazy.
Anyway, There's a moment in Issac Hayes's "Walk On By" where he repeats the chorus, and suddenly, in the background, you hear horns cracking lightly. (It's at about 2:23) I love that moment. It's the most unexpected, most delicate thing. And it comes amidst a meaty and unexpected reworking of another song. Hayes's version is slow, plodding almost, and the his heavy grieving voice is set against background vocals from what almost sounds like European church choir. The song is thick. It's physical. There are so many places to get lost.
Of course this is likely my native aesthetic coming to the fore because this kind of thickness is always what hip-hop, at its best, excelled at. You hear it in the great Public Enemy albums, in the great Wu-Tang albums, in Rakim's lyrics. I guess it's only natural that I would see this here. George Eliot is just bringing the Bomb Squad.
Today’s empires are born on the web, and exert tremendous power in the material world.
Mark Zuckerberg hasn’t had the best week.
First, Facebook’s Free Basics platform was effectively banned in India. Then, a high-profile member of Facebook’s board of directors, the venture capitalist Marc Andreessen, sounded off about the decision to his nearly half-a-million Twitter followers with a stunning comment.
“Anti-colonialism has been economically catastrophic for the Indian people for decades,” Andreessen wrote. “Why stop now?”
After that, the Internet went nuts.
Andreessen deleted his tweet, apologized, and underscored that he is “100 percent opposed to colonialism” and “100 percent in favor of independence and freedom.” Zuckerberg, Facebook’s CEO, followed up with his own Facebook post to say Andreessen’s comment was “deeply upsetting” to him, and not representative of the way he thinks “at all.”
Einstein’s gravitational waves rest on a genuinely radical idea.
After decades of anticipation, we have directly detected gravitational waves—ripples in spacetime traveling at the speed of light through the universe. Scientists at LIGO (the Laser Interferometic Gravitational-wave Observatory) have announced that they have measured waves coming from the inspiral of two massive black holes, providing a spectacular confirmation of Albert Einstein’s general theory of relativity, whose hundredth anniversary was celebrated just last year.
Finding gravitational waves indicates that Einstein was (once again) right, and opens a new window onto energetic events occurring around the universe. But there’s a deeper lesson, as well: a reminder of the central importance of locality, an idea that underlies much of modern physics.
The revolution that ended the reign of beards occurred on September 30, 331 b.c., as Alexander the Great prepared for a decisive showdown with the Persian emperor for control of Asia. On that day, he ordered his men to shave. Yet from time immemorial in Greek culture, a smooth chin on a grown man had been taken as a sign of effeminacy or degeneracy. What can explain this unprecedented command? When the commander Parmenio asked the reason, according to the ancient historian Plutarch, Alexander replied, “Don’t you know that in battles there is nothing handier to grasp than a beard?” But there is ample cause to doubt Plutarch’s explanation. Stories of beard-pulling in battles were myth rather than history. Plutarch and later historians misunderstood the order because they neglected the most relevant fact, namely that Alexander had dared to do what no self-respecting Greek leader had ever done before: shave his face, likening himself to the demigod Heracles, rendered in painting and sculpture in the immortal splendor of youthful, beardless nudity. Alexander wished above all, as he told his generals before the battle, that each man would see himself as a crucial part of the mission. They would certainly see this more clearly if each of them looked more like their heroic commander.
Most people know how to help someone with a cut or a scrape. But what about a panic attack?
Here’s a thought experiment: You’re walking down the street with a friend when your companion falls and gashes her leg on the concrete. It’s bleeding; she’s in pain. It’s clear she’s going to need stitches. What do you do?
This one isn’t exactly a head-scratcher. You'd probably attempt to offer some sort of first-aid assistance until the bleeding stopped, or until she could get to medical help. Maybe you happen to have a Band-Aid on you, or a tissue to help her clean the wound, or a water bottle she can use to rinse it off. Maybe you pick her up and help her hobble towards transportation, or take her where she needs to go.
Here’s a harder one: What if, instead of an injured leg, that same friend has a panic attack?
When four American women were murdered during El Salvador’s dirty war, a young U.S. official and his unlikely partner risked their lives to solve the case.
On December 1, 1980, two American Catholic churchwomen—an Ursuline nun and a lay missionary—sat down to dinner with Robert White, the U.S. ambassador to El Salvador. They worked in rural areas ministering to El Salvador’s desperately impoverished peasants, and White admired their commitment and courage. The talk turned to the government’s brutal tactics for fighting the country’s left-wing guerrillas, in a dirty war waged by death squads that dumped bodies in the streets and an army that massacred civilians. The women were alarmed by the incoming Reagan administration’s plans for a closer relationship with the military-led government. Because of a curfew, the women spent the night at the ambassador’s residence. The next day, after breakfast with the ambassador’s wife, they drove to San Salvador’s international airport to pick up two colleagues who were flying back from a conference in Nicaragua. Within hours, all four women would be dead.
By mining electronic medical records, scientists show the lasting legacy of prehistoric sex on modern humans’ health.
Modern humans originated in Africa, and started spreading around the world about 60,000 years ago. As they entered Asia and Europe, they encountered other groups of ancient humans that had already settled in these regions, such as Neanderthals. And sometimes, when these groups met, they had sex.
We know about these prehistoric liaisons because they left permanent marks on our genome. Even though Neanderthals are now extinct, every living person outside of Africa can trace between 1 and 5 percent of our DNA back to them. (I am 2.6 percent Neanderthal, if you were wondering, which pales in comparison to my colleague James Fallows at 5 percent.)
This lasting legacy was revealed in 2010 when the complete Neanderthal genome was published. Since then, researchers have been trying to figure out what, if anything, the Neanderthal sequences are doing in our own genome. Are they just passive hitchhikers, or did they bestow important adaptations on early humans? And are they affecting the health of modern ones?
Ben Stiller’s follow-up to his own comedy classic is a downright bummer, no matter how many celebrity cameos it tries to cram in.
You don’t need to go to the theater to get the full experience of Zoolander 2. Simply get your hands on a copy of the original, watch it, and then yell a bunch of unfunny topical lines every time somebody tells a joke. That’s how it feels to watch Ben Stiller’s sequel to his 2001 spoof of the fashion industry: Zoolander 2 takes pains to reference every successful gag you remember from the original, and then embellish them in painful—often offensive, almost always outdated—fashion. It’s a film that has no real reason to exist, and it spends its entire running time reaffirming that fact.
The original Zoolander, to be fair, had no business being as funny as it was—it made fun of an industry that already seems to exist in a constant state of self-parody, and much of its humor relied on simple malapropisms and sight gags. But it was hilarious anyway as a candid snapshot of the fizzling-out of ’90s culture. Like almost any zeitgeist comedy, it belonged to a particular moment—and boy, should it have stayed there. With Zoolander 2, Stiller (who directed, co-wrote, and stars) tries to recapture the magic of 2001 by referencing its past glories with increasing desperation, perhaps to avoid the fact that he has nothing new to say about the fashion industry or celebrity culture 15 years laters.
The Islamic State is no mere collection of psychopaths. It is a religious group with carefully considered beliefs, among them that it is a key agent of the coming apocalypse. Here’s what that means for its strategy—and for how to stop it.
What is the Islamic State?
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
The bureau successfully played the long game in both cases.
The story of law enforcement in the Oregon standoff is one of patience.
On the most obvious level, that was reflected in the 41 days that armed militia members occupied the Malheur National Wildlife Refuge near Burns. It took 25 days before the FBI and state police moved to arrest several leaders of the occupation and to barricade the refuge. It took another 15 days before the last of the final occupiers walked out, Thursday morning Oregon time.
Each of those cases involved patience as well: Officers massed on Highway 395 didn’t shoot LaVoy Finicum when he tried to ram past a barricade, nearly striking an FBI agent, though when he reached for a gun in his pocket they finally fired. Meanwhile, despite increasingly hysterical behavior from David Fry, the final occupier, officers waited him out until he emerged peacefully.
The country’s growth is slowing. The wrong response might make the problem worse.
An anxious superpower is confounded by a troubled economy. For a generation, its growth has been envied; now that growth is decelerating sharply. For decades, it has shaped and guided its economy via tight control of its banks; now that lever is malfunctioning. For years, it has carefully managed its exchange rate and limited the flow of capital across its borders; now the dam is cracking. To anyone who keeps up with the news, the superpower would seem easy to identify: China. But for those with a long memory, it could just as well be the United States of the Nixon era.
Like China today, the United States of the 1970s experienced an abrupt economic slowdown. Its economy had expanded by 4.4 percent a year, on average, during the go-go ’50s and ’60s, but growth slowed by about one-quarter during the following decade, to 3.2 percent a year. Even though growth of more than 3 percent may sound robust by today’s standards, at the time it felt ghastly. Time magazine lamented in 1974 that “middle-class people are being pushed into such demeaning economies as buying clothes at rummage sales”; a year or so later, its cover asked, “Can Capitalism Survive?” In September 1975, after President Gerald Ford survived two attempts on his life in quick succession, an adviser named Alan Greenspan responded with a memo about the “nihilism, radicalism, and violence” that seemed to grip some Americans. When New York City flirted with bankruptcy, its plight was taken as a symbol of broader moral and cultural decay.