5 Ways to Fix 'The Walking Dead'

What the zombie show can learn from other, more effective TV dramas



This week's midseason finale, "Pretty Much Dead Already," offered five minutes of solid payoff after seven weeks of wheel-spinning. "Pretty Much Dead Already" revealed that the missing Sophia had been a zombie locked in Hershel Greene's barn all along. It's a good twist to a long-running plotline, and one of the second season's strongest scenes to date.

But then again, it doesn't have much competition. The Walking Dead isn't the worst show on TV, but it's easily the most frustrating, because it continues to have so much unrealized potential. As The Walking Dead gears up for the second half of its second season, there are five lessons the series can learn from other, more effective TV dramas:

1. Stop repeating scenes

Role model: Mad Men

The Walking Dead has terminal case of repetitive plotlines. Shane and Lori argue about their romantic history every time they're alone. Rick and Lori had the same "should we raise a child in this world?" conversation about Carl and their unborn baby. Dale constantly expresses concern for Andrea, and Andrea constantly tells him to back off. Hershel tells anyone who will listen that his priority is protecting his own people. There's a certain amount of repetition that's necessary in any serialized TV series—after all, that's how you keep non-regular viewers up to date—but The Walking Dead's characters reiterate the same talking points so often that it begins to feel like the series is cutting costs by recycling scenes. For inspiration, The Walking Dead should look to sister series Mad Men, which has consistently and believably evolved the web of connections between its characters for four seasons—and with permanent consequences for everyone involved.

2. Embrace the genre

Role model: Luther

Horror is a rarity on television, which makes it all the more frustrating that The Walking Dead spends so much time on turgid, soapy drama. Every once in a while, The Walking Dead will revel in the grotesquery of its premise—like when Rick and Glenn disguised their scent by covering themselves with zombie guts—but it's generally bogged down by dour conversations and a cursory "zombie attack of the week." It could learn something about genre from the BBC's Luther, an unabashedly pulpy cop series with episodes based around satanic cult killings or masked serial murderers. If The Walking Dead isn't going to be a smart show, it should at least be a fun one, and that means embracing the all-out gore—and, occasionally, the black comedy—of the dead walking the earth.

3. Develop characters through flashbacks

Role model: Lost

To date, The Walking Dead has featured three flashbacks, and none of them did much to help us to understand the characters or the events leading up to the zombie apocalypse. Lost , like The Walking Dead , hinged on the idea that its protagonists were always in mortal danger. But Lost managed to increase our stake in its characters—and provide countless moments of dramatic irony—by showing us what life was like for these people before they crash-landed onto a mysterious island. The Walking Dead's underdeveloped characters badly need the same treatment. How did Carol end up married to an abusive husband? What was T-Dog doing when the zombies first attacked? What were Dale's last words with his late wife? The Walking Dead only offers the opportunity to see its characters tired, scared, and angry. It'll take a lot more than that for viewers to actually care about them.

Presented by

Scott Meslow is entertainment editor at TheWeek.com.

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