The movie revels in the absence of anything weighty, but its carefree message resonates today
Image: Wikimedia Commons
I have never surfed—never even dreamed of surfing or had any inclination to pick up a board—and yet in this summer of our discontent I have become mesmerized by Bruce Brown's timeless documentary The Endless Summer. It is a beautifully shot film from pristine locales chronicling the worldly travels of two dashing surfer dudes in the mid 1960s. Brown's masterpiece has been airing over and over again this summer on ESPN Classic, and it seems to me like a perfect antidote to all the bad news coming out of Washington these days.
Wouldn't we all like to leave everything behind and go out in search of the perfect wave right about now? Wouldn't we like to worry about nothing more than finding the right beach with the right surf and the right water temperature? I'd bet the ranch that President Barack Obama, he of the Hawaiian birthplace, would sign on to that deal if he could. If the movie were food it would be your favorite dish at the local diner. If it were a song it would be the sort people pay to listen to in order to fall asleep. If I were a doctor, I would prescribe it to my patients.
Here's how Brown's people subsequently described what he accomplished nearly 50 years ago:
In 1964, filmmaker Bruce Brown decided to follow two surfers around the world in search of a perfect wave. On a budget of only US $50 thousand, with a 16mm camera, he captured the essence, the adventure, and the art of surfing. Hence the renowned The Endless Summer. From the waters of West Africa, through the seas of Australia, to Tahiti, two surfers from California achieved their great dream: to try the wildest waves in the world.
Here's a brief video clip from the film:
The genius of the movie is that it seeks to do no more than record an escape from the burdens of the real world. 1964 was a particularly important pivot point in American history. It was the year of the Warren Report; the year of the Gulf of Tonkin episode that led to the disastrous escalation of America's involvement in the Vietnam War; the year of Barry Goldwater and the Civil Rights Act. These momentous events were happening—shaping a generation—and yet these guys were chasing waves from here to (literally) Timbuktu without an apparent care in the world. They were tuning out in the sun and the surf long before their contemporaries began tuning out with drugs.
The Sandals performed the music for the film, and the surf rock themes are, you might say, epic. Here's the score:
The documentary was released in 1966 to surprisingly good reviews from mainstream movie critics. The timing was serendipitous. The technology of filmmaking would not have allowed the film to be made five years earlier. And five years later, in 1971, the sun and fun would have seemed far too frivolous following the race riots, Kent State, and the body bags coming home from Southeast Asia. For these reasons, The Endless Summer seems as much of a period piece as Citizen Kane or Gone With the Wind. Yes, son, there really was a time when the beaches were clear and no one bugged you to put on sunscreen.
The film indeed revels in the absence of anything weighty. There is a single remark by Brown about South Africa's apartheid—he lamely notes that the area's sharks and porpoises segregate themselves in the water. There is a sexist remark about the bathing suits of Australia's female surfers. A few locals here and there are made fun of. And that's about the extent of the film's political message. We don't know what the boys think about anything beyond what they think of the water and the waves and the size of the surf. They aren't characters so much as props.
The film's philosophical message, on the other hand, is front and center: There is art and science in most human endeavors, including the ones that ultimately matter the least to the story of our existence on Earth. The "perfect wave" doesn't exist only in the perfect world these men inhabited during their journey. And yet the surfers were as beautiful and as graceful as the beaches and waves upon which they played. They were as carefree as the fish they saw in the water or the animals they saw on land. No wonder the Beach Boys used the title for their 1974 memorable compilation album (Side 1: "Surfin' Safari," "Surfer Girl," "Catch a Wave," "The Warmth of the Sun," and "Surfin USA").
The Endless Summer, the movie, became an anthem to the world's surfing community. And it helped inspire an international boon in surfing while continues unabated to this day. "Now it's mainstream," Brown told an interviewer last year, "but in the '50s and '60s you were an outcast, you didn't want to mention it in some circles." I'm no movie buff, and I'm sure y'all will correct me if I am wrong, but I cannot name another movie that led a cultural revolution as much as this one evidently did. The Endless Summer introduced world-class surfing to the world and the world was ready and delighted to make the acquaintance.
No doubt there are young men and women in America today who, like me, have seen the old movie on ESPN and become inspired by the grace it portrays. Good for them. I won't ever make it onto a board. But, alas, those who will are likely to search in vain for the empty beaches and mellow pace the boys found, the boys exuded, when they went on their worldwide tour in 1964. Everything has changed since then—everything but the waves of course.
Take a walk along West Florissant Avenue, in Ferguson, Missouri. Head south of the burned-out Quik Trip and the famous McDonalds, south of the intersection with Chambers, south almost to the city limit, to the corner of Ferguson Avenue and West Florissant. There, last August, Emerson Electric announced third-quarter sales of $6.3 billion. Just over half a mile to the northeast, four days later, Officer Darren Wilson killed Michael Brown. The 12 shots fired by Officer Wilson were probably audible in the company lunchroom.
Outwardly, at least, the City of Ferguson would appear to occupy an enviable position. It is home to a Fortune 500 firm. It has successfully revitalized a commercial corridor through its downtown. It hosts an office park filled with corporate tenants. Its coffers should be overflowing with tax dollars.
“People skills” are almost always assumed to be a good thing. Search employment ads and you will find them listed as a qualification for a startling array of jobs, including Applebee’s host, weight-loss specialist, CEO, shoe salesperson, and (no joke) animal-care coordinator. The notion that people smarts might help you succeed got a boost a quarter century ago, when the phrase emotional intelligence, or EI, entered the mainstream. Coined in a 1990 study, the term was popularized by Daniel Goleman’s 1995 book . Since then, scores of researchers have shown how being in touch with feelings—both your own and other people’s—gives you an edge: compared with people who have average EI, those with high EI do better at work, have fewer health problems,and report greater life satisfaction.
Orr:Wait a minute. There’s a royal wedding—and nobody dies a horrible death? A man is beheaded—and we can all agree that it was for the best? What the hell show am I watching? I came here for Game of Thrones, baby, not Wizards of Waverly Place.
I kid, of course. Given David Benioff and D.B. Weiss’s tendency to take George R. R. Martin’s material and render it even more bloody than it already was, I’m actually mildly relieved that they didn’t throw in a random homicide just to spice up the nuptials of Margaery and young Tommen, First of His Name.
Freddie Gray's death on April 19 leaves many unanswered questions. But it is clear that when Gray was arrested in West Baltimore on the morning of April 12, he was struggling to walk. By the time he arrived at the police station a half hour later, he was unable to breathe or talk, suffering from wounds that would kill him.*
Gray died Sunday from spinal injuries. Baltimore authorities say they're investigating how the 25-year-old was hurt—a somewhat perverse notion, given that it was while he was in police custody, and hidden from public view, that he apparently suffered injury. How it happened remains unknown. It's even difficult to understand why officers arrested Gray in the first place. But with protestors taking to the streets of Baltimore since Gray's death on Sunday, the incident falls into a line of highly publicized, fatal encounters between black men and the police. Meanwhile, on Tuesday, a reserve sheriff's deputy in Tulsa, Oklahoma, pleaded not guilty to a second-degree manslaughter charge in the death of a man he shot. The deputy says the shooting happened while he was trying to tase the man. Black men dying at the hands of the police is of course nothing new, but the nation is now paying attention and getting outraged.
At a large distribution center located north of Boston, a robot lifts a shelf holding merchandise and navigates it through the warehouse to the workstation of an employee who then picks the item needed for an order and places it in a shipping box. Incoming orders are processed by a computer that sends picking requests to sixty-nine robots. Then, the robots deliver storage units to roughly a hundred workers, saving the workers the task of walking through the warehouse to find the items. In other distribution centers, this is work that warehouse workers do.
The distribution center, run by Quiet Logistics—a company that fills orders for sellers of premium-branded apparel, is featured in the60 Minutes episode “Are Robots Hurting Job Growth?” In the segment, Steve Kroft poses the following question to Bruce Welty, the CEO of Quiet Logistics: "If you had to replace the robots with people, how many people would you have to hire?" Welty estimates that he would have to hire one and a half people for every robot, and that the robots are saving him a lot of money.
Where did it come from, and what are its intentions? The simplicity of these questions can be deceiving, and few Western leaders seem to know the answers. In December, The New York Times published confidential comments by Major General Michael K. Nagata, the Special Operations commander for the United States in the Middle East, admitting that he had hardly begun figuring out the Islamic State’s appeal. “We have not defeated the idea,” he said. “We do not even understand the idea.” In the past year, President Obama has referred to the Islamic State, variously, as “not Islamic” and as al-Qaeda’s “jayvee team,” statements that reflected confusion about the group, and may have contributed to significant strategic errors.
In her new book No One Understands You and What To Do About It, Heidi Grant Halvorson tells readers a story about her friend, Tim. When Tim started a new job as a manager, one of his top priorities was communicating to his team that he valued each member’s input. So at team meetings, as each member spoke up about whatever project they were working on, Tim made sure he put on his “active-listening face” to signal that he cared about what each person was saying.
But after meeting with him a few times, Tim’s team got a very different message from the one he intended to send. “After a few weeks of meetings,” Halvorson explains, “one team member finally summoned up the courage to ask him the question that had been on everyone’s mind.” That question was: “Tim, are you angry with us right now?” When Tim explained that he wasn’t at all angry—that he was just putting on his “active-listening face”—his colleague gently explained that his active-listening face looked a lot like his angry face.
Every week for the seventh and final season of AMC's hit period-drama Mad Men, Sophie Gilbert, David Sims, and Lenika Cruz will discuss the possible fates facing Don Draper and those in his orbit.
Sims: After a meandering start to the half-season, Mad Men finally kicked into a higher gear with "Time & Life," finding new energy (perhaps unsurprisingly) with a story that was about the firm, rather than Don's depressing love life. Much of the episode echoed some of the series' greatest moments, like the third-season finale, "Shut the Door, Have a Seat," which saw Don and company break away from their firm to create Sterling Cooper Draper Pryce, or even the mid-season finale last year where Roger convinced McCann Erickson to acquire the company; a decision that came full circle here.
After a five-month delay, Loretta Lynch made history last week. On Thursday, the Senate confirmed Lynch as the next U.S. attorney general, the first African American woman ever to hold this Cabinet position. Her long-stalled nomination sometimes seemed in doubt, held hostage to partisan jockeying between Democrats and Republicans. But one political bloc never gave up, relentlessly rallying its support behind Lynch: the black sorority.
During her initial hearing, the seats behind Lynch were filled with more than two dozen of her Delta Sigma Theta Sorority sisters arrayed in crimson-and-cream blazers and blouses, ensuring their visibility on the national stage. These Delta women—U.S. Representatives Marcia Fudge and Joyce Beatty among them—were there to lend moral support and show the committee that they meant business. The Deltas were not alone. The Lynch nomination also drew support from congressional representatives from other black sororities: Alpha Kappa Alpha members Terri Sewell and Sheila Jackson Lee took to the House floor to advocate for a vote while Sigma Gamma Rho members Corinne Brown and Robin Kelly and Zeta Phi Beta member Donna Edwards used social media and press conferences to campaign on Lynch’s behalf.
In 1979, almost a year into the papacy of John Paul II, a novel called The Vicar of Christ spent 13 weeks on the New York Times best-seller list. The work of a Princeton legal scholar, Walter F. Murphy, it featured an unlikely papal candidate named Declan Walsh—first a war hero, then a United States Supreme Court justice, and then (after an affair and his wife’s untimely death) a monk—who is summoned to the throne of Saint Peter by a deadlocked, desperate conclave.
Once elevated, Walsh takes the name Francesco—that is, Francis—and sets about using the office in extraordinary ways. He launches a global crusade against hunger, staffed by Catholic youth and funded by the sale of Vatican treasures. He intervenes repeatedly in world conflicts, at one point flying into Tel Aviv during an Arab bombing campaign. He lays plans to gradually reverse the Church’s teachings on contraception and clerical celibacy, and banishes conservative cardinals to monastic life when they plot against him. He flirts with the Arian heresy, which doubted Jesus’s full divinity, and he embraces Quaker-style religious pacifism, arguing that just-war theory is out of date in an age of nuclear arms and total war. (This last move eventually gets him assassinated, probably by one of the governments threatened by his quest for peace.)