There's an interesting exchange in yesterday's post on In Memoriam between me and l roberts on how we view In Memoriam. The conversation initiated from this claim:
I think of it as more of a romantic line than a sexual line . . . I'm not saying that his relationship with this guy was sexual, or that we can ever know if it was or not.
But the fact that so many people have applied the line to their own relationships, whether they're romantic, sexual, or "just" friends, is significant to me. It kind of suggests that love is all the same, no matter how it's expressed.
Also, not all same-gender love is sexual, but in my opinion it still counts as "gay." For example, I think most people would agree that a marriage has to be based on more than just sex. And LGBT people don't want to get married just so they can keep having teh sex. They want to get married for love.
I disputed the claim that same-gender love neccessarily qualifies as gay love, eventually eliciting the following response:
I have to say that in this particular case though, the individual's viewpoint really does matter. When a queer person says, "Tennyson wrote In Memoriam based on his affection for another man," it has a significantly different meaning from when a straight person says it. We each have a natural instinct to claim that love as "our own" in some way, even though Tennyson can't be both gay and not gay.
I find this particularly interesting. I don't know that I agree. But it doesn't much matter. In this instance, my own consent is neither requested nor required. Moreover, it's kind of boring. More captivating is how identity changes what we see. In that vein, I'd like to ask some of our gay commenters to weigh in here. On Tennyson particularly, and more broadly on the realm of artists beautifully expressing affection for humans of the same gender.
I hear Tennyson and, for me, there is that long tradition of young black males mourning the death of fallen soldiers, through hip-hop. Mobb Deep made a career out of mugging for the camera, and yet in "Cradle To The Grave," Havoc could confess that at the sight of his dying friend "he felt like crying." And he does this in sub genre which holds strong prohibitions against saying such things about women.
But that's my lens. What's yours? What is that "significantly different meaning?" This is an inquiry, not an inquisition. I'm not interested in the debate. I'm not interested in proving or disproving Tennyson's sexuality. I'm not interested in an objective "right." I'm interested in In Memoriam through your eyes.
As an aside, I'd ask the less experienced among us to sit back and listen for a bit. Please don't speak for the sake of speaking. In seeking to be first, you render yourself last.
To many white Trump voters, the problem wasn’t her economic stance, but the larger vision—a multi-ethnic social democracy—that it was a part of.
Perhaps the clearest takeaway from the November election for many liberals is that Hillary Clinton lost because she ignored the working class.
In the days after her shocking loss, Democrats complained that Clinton had no jobs agenda. A widely shared essay in The Nationblamed Clinton's "neoliberalism" for abandoning the voters who swung the election. “I come from the white working class,” Bernie Sanders said on CBS This Morning, “and I am deeply humiliated that the Democratic Party cannot talk to where I came from.”
But here is the troubling reality for civically minded liberals looking to justify their preferred strategies: Hillary Clinton talked about the working class, middle class jobs, and the dignity of work constantly. And she still lost.
Trump's election has reopened questions that have long seemed settled in America—including the acceptability of open discrimination against minority groups.
When Stephen Bannon called his website, Breitbart, the “platform for the alt-right” this summer, he was referring to a movement that promotes white nationalism and argues that the strength of the United States is tied to its ethnic European roots. Its members mostly stick to trolling online, but much of what they do isn’t original or new: Their taunts often involve vicious anti-Semitism. They make it clear that Jews are not included in their vision of a perfect, white, ethno-state.
On the opposite side of American politics, many progressive groups are preparing to mount a rebellion against Donald Trump. They see solidarity among racial minorities as their goal, and largely blame Trump’s election on racism and white supremacy. Three-quarters of American Jews voted against Trump, and many support this progressive vision. Some members of these groups, though, have singled out particular Jews for their collusion with oppressive power—criticisms which range from inflammatory condemnations of Israel to full-on conspiracies about global Jewish media and banking cabals.
Confronting racism can be crucial, even when it’s not persuasive.
In the brushfire wars since Donald Trump won the presidency, skirmishes over how to speak to his coalition of voters have consumed liberals. Leading the vanguard in those conversations is a collection of writers and thinkers of otherwise divergent views, united by the painful process of reexamining identity politics, social norms, and—most urgently—how to address racism in an election clearly influenced by it. Though earnest and perhaps necessary, their emphasis on the civil persuasion of denizens of "middle America" effectively coddles white people. It mistakes civility for the only suitable tool of discourse, and persuasion as its only end.
This exploration of how to best win over white Americans to the liberal project is exemplified by reactions to Hillary Clinton’s placing many of Donald Trump’s supporters in a “basket of deplorables.” The debate about whether to classify these voters as racist or bigoted for supporting a candidate who constantly evinced views and policies many believe to be bigoted is still raging. As Dara Lind at Vox expertly notes, Clinton’s comments themselves were inartful precisely because they seemed focused solely on “overt” manifestations of racism, like Klan hoods and slurs. That focus ignores the ways in which white supremacy and patriarchy can function as systems of oppression, tends to forgive the more refined and subtle racism of elites, and may ultimately lead to a definition of racism in which no one is actually racist and yet discrimination remains ubiquitous.
Without any promising answer to the problem of fake news, outlandish false claims like a pedophilia ring running out of D.C. restaurant will continue to grow.
After weeks of debate about the theoretical and abstract dangers of fake news, there’s finally a concrete incident to discuss. On Sunday, a North Carolina man walked into Comet Ping Pong, a pizzeria in an affluent corner of Northwest D.C. wielding an assault rifle, which he fired at least once.
The man, 28-year-old Edgar Maddison Welch, told police he intended to “self-investigate” a bogus story alleging that Hillary Clinton was running a pedophilia ring out of the restaurant. The story, dubbed, deplorably, “Pizzagate” has spread around certain fake news circles, culminating in Welch’s expedition to Comet on Sunday.
So much of the discussion about “fake news” has involved vague questions about, for example, whether Russian-backed propaganda could have been a factor in Donald Trump’s victory. A big Washington Post report suggested that Russia had played a role in spreading lots of fake news; Adrian Chen, among others, convincingly argued that one major basis for that report was extremely fraught. There’s a broader question of the extent to which a foreign power could influence the election, and the extent to which that would really be anything new. Jack Shafer suggests not.
What it means, what the law says, and what comes next
Updated on December 5 at 12:50 p.m. ET
Surely some of the protesters believed they would prevail, but among the experts—the law professors, financial analysts, and industry journalists who pride themselves on knowing the ins and outs of federal rules—almost no one expected it. The so-called experts were getting ready to shake their heads and sigh, to lament that once again a federal agency had failed to respond to a historic protest and had failed to protect the most vulnerable.
And then the incredible happened.
On Sunday afternoon, the U.S. Army Corps of Engineers legally blocked the construction of the Dakota Access Pipeline, denying it a needed easement to drill beneath the Missouri River.
The corps will now investigate and write an environmental-impact statement, a roughly two-year process that will assess the risks of building a pipeline so close to the Standing Rock Sioux’s water supply. It will specifically examine whether the pipeline should be moved or cancelled altogether.
In 12 of 16 past cases in which a rising power has confronted a ruling power, the result has been bloodshed.
When Barack Obama meets this week with Xi Jinping during the Chinese president’s first state visit to America, one item probably won’t be on their agenda: the possibility that the United States and China could find themselves at war in the next decade. In policy circles, this appears as unlikely as it would be unwise.
And yet 100 years on, World War I offers a sobering reminder of man’s capacity for folly. When we say that war is “inconceivable,” is this a statement about what is possible in the world—or only about what our limited minds can conceive? In 1914, few could imagine slaughter on a scale that demanded a new category: world war. When war ended four years later, Europe lay in ruins: the kaiser gone, the Austro-Hungarian Empire dissolved, the Russian tsar overthrown by the Bolsheviks, France bled for a generation, and England shorn of its youth and treasure. A millennium in which Europe had been the political center of the world came to a crashing halt.
A professor of cognitive science argues that the world is nothing like the one we experience through our senses.
As we go about our daily lives, we tend to assume that our perceptions—sights, sounds, textures, tastes—are an accurate portrayal of the real world. Sure, when we stop and think about it—or when we find ourselves fooled by a perceptual illusion—we realize with a jolt that what we perceive is never the world directly, but rather our brain’s best guess at what that world is like, a kind of internal simulation of an external reality. Still, we bank on the fact that our simulation is a reasonably decent one. If it wasn’t, wouldn’t evolution have weeded us out by now? The true reality might be forever beyond our reach, but surely our senses give us at least an inkling of what it’s really like.
The past 12 months have been an eventful time for news stories, from the unpredictable and tumultuous U.S. presidential election, to continued war and terror and refugees fleeing to Europe, to a historic World Series win for the Chicago Cubs, and so much more.
The past 12 months have been an eventful time for news stories, from the unpredictable and tumultuous U.S. presidential election, to continued war and terror in the Middle East and refugees fleeing to Europe, to a historic World Series win for the Chicago Cubs, ongoing protests demanding racial justice in the U.S., the Summer Olympics and Paralympics in Rio de Janeiro, and so much more. Today, we present the “Top 25 News Photos of 2016”—and starting tomorrow will be presenting part one of a more comprehensive three-part series, “2016: The Year in Photos.” Warning, some of the photos may contain graphic or objectionable content.
Open-web advocates are preparing for a renewed policy war as net neutrality’s future remains uncertain.
Talking about net neutrality is so boring, the comedian John Oliver once quipped, that he would “rather listen to a pair of Dockers tell me about the weird dream it had” than delve into the topic.
So it’s unsurprising that Donald Trump—an entertainer with a flair for the dramatic and little interest in wonky details—has stayed away from the issue almost entirely.
If you want to captivate a nation, discussing thorny telecommunications policy is generally a terrible way to do it. (For those who have managed to avoid reading up on net neutrality thus far, the term refers to open-web principles aimed at curbing practices that give certain companies competitive advantages in how people access the internet. The FCC formally established rules last year that allow the agency to regulate broadband the way it oversees other public utilities. Those rules ban internet service providers from throttling—or slowing—connections to certain content online, and prohibit providers from offering faster connections to corporations that can afford to pay for premium web services. The rules also discourage zero-rating—in which an internet service provider subsidizes a consumer’s cost of going online but often does so in exchange for a competitive advantage.)
Firefighters have now found 36 bodies inside the artist collective where dozens of people lived together.
Rescue workers say 36 people were killed in Oakland, California, in a fire that torched an artist-collective warehouse known locally as the “Ghost Ship.” It may take weeks to identify everyone killed, because the flames have charred some bodies so badly they’ll have to be identified through dental records. The Alameda County Sheriff’s Office has also opened a criminal investigation into what caused the fire. So far, it’s thought to have been an accident—the result of too many people in a place with rampant building-code violations. But already some of the artistic community’s frustration seems aimed at both the warehouse’s artistic leader as well as the Bay Area’s unaffordable rent.
The fire started Friday during a late-night rave being held at the warehouse, home to a couple dozen artists. The blaze grew so quickly that flames and smoke trapped many of the people inside, and forced some to leap out of the second-floor windows. Since firefighters extinguished the flames early Saturday morning, rescue workers have methodically removed bits of ash and debris, putting them in dump trucks to be taken to an offsite location, where they can be sorted and checked in case they contain human remains. It is one of the worst U.S. fires in recent memory, bringing to mind the 2003 blaze in West Warwick, Rhode Island, that killed 100 people at a nightclub called the Station.