Longfellow's Anti-Slavery Poem 'Paul Revere's Ride' Turns 150

More
A century-and-a-half ago today, in our January 1861 issue, Henry Wadsworth Longfellow published what's still his best-known poem, "Paul Revere's Ride." In Sunday's New York Times, Jill Lepore explains what the poem was doing here: Despite the demure Longfellow's aversion to playing directly into public debate, he was -- like The Atlantic's whole founding generation -- an intensely committed abolitionist, who wrote "Paul Revere's Ride" with the coming Civil War, as much as the War of Independence Revere rallied for 85 years earlier, in mind. In 1842, Longfellow had put out a volume called "Poems on Slavery" for his best friend Charles Sumner (later a leader of the anti-slavery movement in Massachusetts and, later still, of the Radical Republicans in the U.S. Senate during the Civil War and Reconstruction); for years, Longfellow quietly spent the earnings from his best-selling poetry to buy slaves their freedom; and on December 2, 1859, the day when the radical abolitionist John Brown was executed for treason against the state of Virginia, Longfellow wrote in his diary, "This will be a great day in our history, the date of a new Revolution quite as much needed as the old one."

Pondering that new Revolution, Longfellow got to thinking about the old one. In April 1860, he began writing "Paul Revere's Ride." While he worked on the poem, he worried about the fate of the nation. Around the same time he went to see Frederick Douglass speak and read Sumner's latest speech, which predicted that "the sacred animosity between Freedom and Slavery can end only with the triumph of Freedom." In November, weeks after finishing "Paul Revere's Ride," Longfellow rejoiced in his diary that Lincoln had won the presidency; echoing Sumner, he wrote: "Freedom is triumphant."

"Paul Revere's Ride" was published in the January 1861 issue of The Atlantic, which appeared on newsstands on Dec. 20. It was read as a rallying cry for the Union. It is a poem about waking the sleeping, and waking the dead: "Beneath, in the churchyard, lay the dead,/ In their night encampment on the hill." The dead are Northerners, awakened, at last aroused. But the dead are also the enslaved, entombed in slavery -- an image that was, at the time, a common conceit: Douglass called his escape "a resurrection from the dark and pestiferous tomb of slavery."

Read the full story at The New York Times.
Jump to comments
Presented by

J.J. Gould is the editor of TheAtlantic.com. More

He has written for The Washington MonthlyThe American ProspectThe Moscow Times, The Chronicle Herald, and The European Journal of Political Theory. Gould was previously an editor at the Journal of Democracy, co-published by the Johns Hopkins University Press and the National Endowment for Democracy, and a lecturer in history and politics at Yale University. He has also worked with McKinsey & Company's New York-based Knowledge Group on global public- and social-sector development and on the economics of carbon-emissions reduction. Gould has a B.A. in history from McGill University in Montreal, an M.Sc. from the London School of Economics, and a Ph.D. in politics from Yale. He is from Nova Scotia. … Also: jjgould.com.

Get Today's Top Stories in Your Inbox (preview)

Sad Desk Lunch: Is This How You Want to Die?

How to avoid working through lunch, and diseases related to social isolation.


Elsewhere on the web

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

Where Time Comes From

The clocks that coordinate your cellphone, GPS, and more

Video

Computer Vision Syndrome and You

Save your eyes. Take breaks.

Video

What Happens in 60 Seconds

Quantifying human activity around the world

Writers

Up
Down

More in Entertainment

Just In