Last Saturday I did something that I probably should have done a long time ago--I went gallery-hopping with a few buddies through Chelsea. It's really sinful to live in New York for almost ten years, as I have, consider yourself a creative person and not take the ritual tour. At any rate, I was motivated by much of the art I'd seen while away this summer in the Woods. There were all kinds of people there--painters, sculptors, photographers, singers, composers, poets, novelists, essayists, printmakers, architects--really an entire range of folks. In the evenings, an artist would usually give a presentation of their work. I think I understood, at best, 20 percent of what I saw, though I was moved by quite a bit more.
That got me thinking about something I've talked about here--the vast and blissful ignorance of childhood. As a kid, there was so much that I didn't understand. I can remember being five and hearing my Dad saying to his friends, "I can dig it, I can dig it" and thinking "Dig what?" That's just a small thing, and there seemingly hundreds of those small things. And then there were big things--Did the Human Beatbox really have a heart attack? Was Scott La Rock really shot? Is wrestling actually real? What did Gwen Stacy look like? Where does Optimus Prime's trailer really go when he transforms? Why does that girl in pre-Algrebra keep punching me in the arm?
Of course as a kid, I hated having all those questions, I hated the not knowing. I took to imagination as a kind of coping mechanism for my ignorance, in much the same way that early societies took to religion to explain the night. If you can't know what actually happened to Scott La Rock, why not find your father's old Rand McNally atlas, flip to a map of New York and stare really hard at that yellow portion marked "Bronx" in red lettering, and try to divine what happened. You fill the gaps for what you can't know with your own imagination, and then some decades later, that filling in process becomes an essential tool of your life.
When I was in the Woods, and I'd see those presentations, it was that old feeling again. I have no capacity to understand jazz, classical or opera. But I was lucky enough to be in the company of about twenty fellow artists, all of us assembled to hear this woman sing for an hour. I was lucky enough to be in the company of other artists and hear this dude play for an hour. I knew they both were big deals, and when I heard them, I could tell they were enormously talented. But I had no context to explain why. I couldn't tell you, technically, why they were great in the way that I can tell you, technically, why Fitzgerald or Black Thought are great. I was left only with emotion and imagination.
I grew up without the internet, and in that world, where literal truth could not be readily verified, emotion and imagination was often all I had. I want to get back to that feeling, to a place where there are gaping holes in my understanding which do not hunger for literal fact.. So I went to Chelsea and saw a lot of stuff that I did not understand. So I went to Chelsea and got unconscious and got uncomfortable.
The piece above is at Slag, and I encourage everyone in the area to see the whole exhibition. (The screen can't really carry the piece's incredible depth and weight) It's an oil painting, "Funeral," by Mircea Suciu, a dude who I'd never heard of. That's my loss. His stuff really stuck with me. But damn if I can tell you why. I'm not even sure I need to know. Sometimes knowing is beside the point.
Startups are proving more efficient than government in areas like transportation. Should some services be privatized?
Cities such as New York and San Francisco have extensive public-transportation systems that carry millions of residents by bus, train, boat, and light rail. But in recent years, there’s been an expanding fleet of private vehicles too: Lyft, Uber, Juno, Uber Pool, and the Google Bus, to name a few. These offerings give commuters more choices, but may also undermine the public services available. They raise fundamental questions about the future of how people will get around cities.
I used to think these services were just for the rich—a friend of mine who lived in New York insisted on taking an Uber Pool to work every day because he said it was a much better experience than public transit. But as the options increase, they carry an expanding array of people. This morning, for instance, I walked one block from my house to take a private van service called Chariot to my office in San Francisco. Before Chariot, this commute took at least 40 minutes and consisted of riding a bus to the subway to another bus. Chariot—a shared van service run by a private company—brought me directly from my house to my office in just over 20 minutes. And it cost roughly the same price as the lengthier public transit option.
Donald Trump was of course “joking” when he said yesterday in Toledo, Ohio, that “we should just cancel the election and just give it to Trump, right? What are we even having it for?”
In the clip below, you can see what we’ve come to recognize as a classic Trump-rally two-track message. It’s a mixture of claims that would be outrageous if taken seriously, with a half-joking affect that lets Trump suggest that he’s not being serious at all. As a result, he can have it both ways. People who want to, can take this as something Trump is really supporting. (This is a variation of, “A lot of people are saying....”) But if anyone gets huffy and calls Trump on it, he can say, “What kind of dummy are you? Of course that was a joke!”
Hillary Clinton and Donald Trump prepare for the final sprint to Election Day.
It’s Friday, October 28—the election is now less than two weeks away. Hillary Clinton holds a lead against Donald Trump, according to RealClearPolitics’ polling average. We’ll bring you the latest updates from the trail as events unfold. Also see our continuing coverage:
We built a fake web toaster, and it was compromised in an hour.
Last week, a massive chain of hacked computers simultaneously dropped what they were doing and blasted terabytes of junk data to a set of key servers, temporarily shutting down access to popular sites in the eastern U.S. and beyond. Unlike previous attacks, many of these compromised computers weren’t sitting on someone’s desk, or tucked away in a laptop case—they were instead the cheap processors soldered into web-connected devices, from security cameras to video recorders. A DVR could have helped bring down Twitter.
Great, I thought as I read the coverage last week. My DVR helped bring down Twitter. (Probably not, at least this time—the targeted products were older than what you’d find in most American homes, and less protected.) But the internet is huge! There are around a couple billion public IPv4 addresses out there; any one of those might have a server, a desktop computer, or a toaster plugged in at the other end. Even if the manufacturer of my gadget gave it a dumb and easily guessed password, wouldn’t it be safe in this sea of anonymity? How would the hackers find me?
What is lost when disadvantaged students are forced to commodify their backgrounds for the sake of college admissions?
Shortly after moving to New York two years ago, I began volunteering as a writing mentor at Minds Matter, a large, multi-city nonprofit that helps prepare underserved high-school students for college. Just a few months earlier, I’d graduated from a liberal-arts college I’d attended after participating in a similar program, and I felt both obliged to pay my good fortune forward and uniquely qualified to do so. If my experience had taught me anything, it was the power of a compelling personal narrative.
By the time I’d decided, mid-way through high school, that I wanted to attend college—and not just any college, but a competitive one, filled with Gothic Revival buildings and storied histories—I had to contend with a spotty transcript, virtually no extracurriculars, and an SAT math score inferior to that of many middle schoolers. Then I heard about QuestBridge, a nonprofit that connects low-income youth with top schools.
Doug Band helped everyone get rich in the post-presidential empire, but his re-emergence in the WikiLeaks hack is another headache for Hillary.
Who is Doug Band, and what did he do for Bill Clinton?
A little bit of everything, it turns out.
He helped launch the Clinton Foundation, came up with the idea for the Clinton Global Initiative, brokered deals for paid speeches that enriched Clinton, and then started a private consulting firm called Teneo that made the Foundation, Bill Clinton, and Band himself even wealthier.
All of that became clear in the latest batch of hacked emails released by WikiLeaks, which include messages from Band and a 12-page memo that he wrote both explaining and defending his and his company’s work on Clinton’s behalf. For Hillary Clinton’s campaign, the publication of the Band memo is yet another WikiLeaks-induced headache, as it provides even more detail into the unsavory-if-not-illegal intersection of interests at the heart of her family’s philanthropic work.
I generally enjoy milk chocolate, for basic reasons of flavor and texture. For roughly the same reasons, I generally do not enjoy dark chocolate. *
Those are just my boring preferences, but preferences, really, won’t do: This is an age in which even the simplest element of taste will become a matter of partisanship and identity and social-Darwinian hierarchy; in which all things must be argued and then ranked; in which even the word “basic” has come to suggest searing moral judgment. So IPAs are not just extra-hoppy beers, but also declarations of masculinity and “palatal machismo.” The colors you see in the dress are not the result of light playing upon the human eye, but rather of deep epistemological divides among the world’s many eye-owners. Cake versus pie, boxers versus briefs, Democrat versus Republican, pea guac versus actual guac, are hot dogs sandwiches … It is the best of times, it is the RAGING DUMPSTER FIRE of times.
Political, social, and demographic forces in the battleground of North Carolina promise a reckoning with its Jim Crow past.
In 1901, America was ascendant. Its victory over Spain, the reunification of North and South, and the closing of the frontier announced the American century. Americans awaited the inauguration of the 57th Congress, the first elected in the 20th century. All the incoming members of Congress, like those they replaced, were white men, save one.
Representative George Henry White did not climb the steps of Capitol Hill on the morning of January 29 to share in triumph. The last black congressman elected before the era of Jim Crow, White, a Republican, took the House floor in defeat. He had lost his North Carolina home district after a state constitutional amendment disenfranchised black voters—most of his constituents. That law marked the end of black political power in North Carolina for nearly a century.
A century ago, widely circulated images and cartoons helped drive the debate about whether women should have the right to vote.
It seems almost farcical that the 2016 presidential campaign has become a referendum on misogyny at a moment when the United States is poised to elect its first woman president.
Not that this is surprising, exactly.
There’s a long tradition of politics clashing spectacularly with perceived gender norms around election time, and the stakes often seem highest when women are about to make history.
Today’s political dialogue—which often merely consists of opposing sides shouting over one another—echoes another contentious era in American politics, when women fought for the right to vote. Then and now, a mix of political tension and new-fangled publishing technology produced an environment ripe for creating and distributing political imagery. The meme-ification of women’s roles in society—in civic life and at home—has been central to an advocacy tradition that far precedes slogans like, “Life’s a bitch, don’t elect one,” or “A woman’s place is in the White House.”
Services like Tinder and Hinge are no longer shiny new toys, and some users are starting to find them more frustrating than fun.
“Apocalypse” seems like a bit much. I thought that last fall when Vanity Fair titled Nancy Jo Sales’s article on dating apps “Tinder and the Dawn of the ‘Dating Apocalypse’” and I thought it again this month when Hinge, another dating app, advertised its relaunch with a site called “thedatingapocalypse.com,” borrowing the phrase from Sales’s article, which apparently caused the company shame and was partially responsible for their effort to become, as they put it, a “relationship app.”
Despite the difficulties of modern dating, if there is an imminent apocalypse, I believe it will be spurred by something else. I don’t believe technology has distracted us from real human connection. I don’t believe hookup culture has infected our brains and turned us into soulless sex-hungry swipe monsters. And yet. It doesn’t do to pretend that dating in the app era hasn’t changed.