The Problem With Alien Invasion Movies

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Watching the trailer for Skyline, I think I've figured out why so many alien invasion movies annoy me so much:



Seriously, why are these gigantic aliens coming here? For an alien-invasion movie to be plausible, there has to be a reason that the life forms or society that's invading have decided that Earth is worth the trouble of resistance, the trip, the set-up efforts of colonization. With aliens this large, it makes very little sense. If they're coming to settle, those things are huge, and aren't going to be supported in any great number by our planet's resources for any amount of time that would make this worth the effort. If they're chomping up planets as they go, we'd probably have noticed something. If they have some sort of religious belief about annihilating other life in the galaxy, that would be interesting to know! If they're just mistaken, or off-course, or screwed-up in some way, they probably wouldn't be wreaking such havoc and we'd be watching District 9 instead, which actually sounds pretty good as an alternative. Answering these questions isn't dreadfully hard. Doctor Who has figured out a rationale for alien arrival pretty much every other episode for about 800 episodes, which even accounting for mailing it in, suggests it can be done. So even if it takes ten minutes to pick something random, writers and directors should pick it, and stick to it. If only for the sake of looking like they tried.

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Alyssa Rosenberg is a correspondent for TheAtlantic.com. She is the pop culture blogger for ThinkProgress, where she writes about the intersection of politics and culture at thinkprogress.org/alyssa. More

Alyssa Rosenberg is a correspondent for TheAtlantic.com. She is the pop culture blogger for ThinkProgress, where she writes about the intersection of politics and culture at http://thinkprogress.org/alyssa.

Alyssa is also a columnist for the Washington Monthly and The Loop 21. Her career as a critic began at 8, when she began a children's book review column for her local paper, taking payments in gift certificates to the neighborhood bookstore. Since then, her interests have expanded to include Atlanta hip-hop, procedural television shows, and action movies she watches without any sense of irony whatsoever. Her writing on culture has appearedin Esquire.com, The Daily, The Daily Beast and the American Prospect, and she has written about politics and the executive branch for Government Executive, The New Republic and National Journal.
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