Sexual Tension as Plot Device

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Ta-Nehisi's tired of sexual tension as a plot device in television and movies. I agree that boy-meets-girl stories are kind of tired. But given the role that looking for love and for sex or maintaining relationships or marriages plays in most of our lives, I don't think it's really a question of proportionality in basic subject matter. A lot of shows and movies are about matters of the heart and groin, because a lot of our lives are.


But I think it's a matter of arc, intensity and balance. Not all flirtations end in consummation, much less a relationship or marriage. Desire colors inflection in the way we talk to people, the way we move around an office, and shape our days and weeks. Flames can flicker and die in days, or weeks, or burn on a low grade for months or years. Attraction can color friendships without ever being acknowledged or acted upon. In other words, sexual tension shapes our characters and relationships without being the sum total of them.

I actually think that's one of the main reasons long-running unconsummated romances, especially workplace ones, get audiences in such a lather. In real life, we refuse to acknowledge or speak aloud a lot of the things we feel, because we're scared, uncertain, married, confused. When characters consummate those attractions successfully, when the long-running risk turns out to be worth it, they're living out fantasies we've all had. They validate the idea that sometimes we'll be brave, and lucky.
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Alyssa Rosenberg is a correspondent for TheAtlantic.com. She is the pop culture blogger for ThinkProgress, where she writes about the intersection of politics and culture at thinkprogress.org/alyssa. More

Alyssa Rosenberg is a correspondent for TheAtlantic.com. She is the pop culture blogger for ThinkProgress, where she writes about the intersection of politics and culture at http://thinkprogress.org/alyssa.

Alyssa is also a columnist for the Washington Monthly and The Loop 21. Her career as a critic began at 8, when she began a children's book review column for her local paper, taking payments in gift certificates to the neighborhood bookstore. Since then, her interests have expanded to include Atlanta hip-hop, procedural television shows, and action movies she watches without any sense of irony whatsoever. Her writing on culture has appearedin Esquire.com, The Daily, The Daily Beast and the American Prospect, and she has written about politics and the executive branch for Government Executive, The New Republic and National Journal.
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