The New American Wild

More

So, in between The Passage, Year Zero, and now, low-budget high-buzz indie Monsters, is our pop culture really obsessed with American cataclysm or what? In The Passage, a virus gets loose and depopulates most of North America. Ditto in Year Zero. In Monsters, it's not so much vampires as it is very large creepy-crawlies, but the quarantine-and-everybody-dies concepts are otherwise pretty much the same:



I kind of wonder if this has something to do with particularly American conceptions of frontier and Manifest Destiny. Having reached the coast and filled it up with people and development, do we need to depopulate the continent in order to feel like our main characters can explore, and discover things, and have adventures?
Jump to comments
Presented by

Alyssa Rosenberg is a culture writer with The Washington Post.

Get Today's Top Stories in Your Inbox (preview)

CrossFit Versus Yoga: Choose a Side

How a workout becomes a social identity


Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

CrossFit Versus Yoga: Choose a Side

How a workout becomes a social identity

Video

Is Technology Making Us Better Storytellers?

The minds behind House of Cards and The Moth weigh in.

Video

A Short Film That Skewers Hollywood

A studio executive concocts an animated blockbuster. Who cares about the story?

Video

In Online Dating, Everyone's a Little Bit Racist

The co-founder of OKCupid shares findings from his analysis of millions of users' data.

Video

What Is a Sandwich?

We're overthinking sandwiches, so you don't have to.

Video

Let's Talk About Not Smoking

Why does smoking maintain its allure? James Hamblin seeks the wisdom of a cool person.

Writers

Up
Down

More in Entertainment

Just In