On Not Watching 'Mad Men'

by Alyssa Rosenberg

I always feel guilty as a guest-blogger when my host says he hopes I'll write about something I'm at a loss on, and so I got a sinking feeling on Monday, knowing I'd have to crush TNC's eagerness for me and Mad Men. Truth is, I bought the first season on iTunes some time back, got distracted, and never returned. I'm sure I should be watching the show, I know that, and yet, because I grew up largely without watching television, and entirely without cable, there are so many other shows I want to get to first. I want to finish Homicide and start My So-Called Life. I wish I could download several decades of British television directly into my brain. There's just so much I have to see so I can understand television better, so I can see how it fits together and articulate what the things we watch mean. Mad Men feels like a luxury when I haven't finished Spooks, and House of Cards, or gotten to what I'm told are the good seasons of Angel.


MORE ON MAD MEN:
Sady Doyle: Mad Men's Very Modern Sexism Problem
The Atlantic Mad Men Panel: Mad Men: The Beginning of the End for Don Draper?

And honestly, after a childhood spent obsessed with the era, I'm just not as interested in the early 1960's as I used to be. What I would love, though, would be a Wire-style show about radical movements and the federal agents who were hunting them down. The hysteria over President Obama's connection to Bill Ayers would probably make it a hard sell. But the increasing radicalization of young leftists and the hardening attitudes of COINTELPRO makes for a fascinating story.

It's the subject of the best, most nuanced documentary I've seen in a long time, The Weather Underground. Watching people make terrible decisions out of great love and fierce political convictions, decisions that lead them to kill both themselves and other people, and then seeing them isolated, failed, lost, imprisoned, repentant, rebuilding their lives as math professors and bartenders is intensely compelling stuff. I want to be clear, I don't think killing people because you think you have a right to rob an armored truck in the name of the revolution makes you a hero. It makes you vile. But so does running a violent drug operation. And if we deserve a great show about the War on Drugs and the decay of our urban institutions, one about a moment of national insanity in multiple directions that opened up still-raw wounds in our politics just might fly. Especially if it's also a great police procedural.

Presented by

Ta-Nehisi Coates is a national correspondent at The Atlantic, where he writes about culture, politics, and social issues. He is the author of the memoir The Beautiful Struggle.

Why Principals Matter

Nadia Lopez didn't think anybody cared about her middle school. Then Humans of New York told her story to the Internet—and everything changed.

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register with Disqus.

Please note that The Atlantic's account system is separate from our commenting system. To log in or register with The Atlantic, use the Sign In button at the top of every page.

blog comments powered by Disqus

Video

A History of Contraception

In the 16th century, men used linen condoms laced shut with ribbons.

Video

'A Music That Has No End'

In Spain, a flamenco guitarist hustles to make a modest living.

Video

What Fifty Shades Left Out

A straightforward guide to BDSM

More in Entertainment

From This Author

Just In