Skip Navigation
Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

Queen of the Nile

By Ta-Nehisi Coates
Jun 14 2010, 1:35 PM ET Comment

kpq_cleopatra.jpg

If you remember this picture, then you are, indeed, truly hood. This is Cleopatra, as countless black kids in schools across the country knew her. This is image was brought to us by the oddest alliance of all time--black nationalism and beer

Anyway, Alyssa yawns at the casting of Angelina Jolie as Cleopatra. Jezebel highlights a few problems, among them, the suspicion that Cleopatra was not "white." 

A couple of thoughts. It's worth exercising some care into reading America's very specific black/white dynamic out into history, and indeed out into the rest of the world. That said, the  racial dynamics of this country affect who gets work in Hollywood, and who doesn't. Business is a lot better than it was thirty years ago, but particularly with black women, it isn't very good. 

With that in mind, I don't think the problem here is that Angelina Jolie plays a women--in the very limited context of America--might not be seen as white. The problem is that my sense is that there really aren't many nonwhite women even in the discussions. Thus my questions would not so much be for the casting directors, but for the business as a whole, and for the people who support the business.

It's also mildly humorous that we're debating something that the actual Egyptians cared very little about, or rather didn't care about in the same way. America's Black/White split is an invention. Still, any day I get to remember Cleopatra as rendered in my Baltimore elementary school is a good day.


Presented by

More at The Atlantic

External Eyes: Vision Technology Takes Another Step Forward Technology Gets One Step Closer to Glasses for the Nearly Blind
We Should Be in a Race for Prevention, Not Cures Why We Should Be in a Race for Prevention, Not Cures
The Revolution Will Be a Gruesome Animated French Hip Hop Video The Revolution Will Be a Gory French Hip Hop Video
The Case for Facebook The Case for Facebook
After 50 Years of Silence, China Slowly Confronts the 'Great Leap Forward' After 50 Years of Silence, China Talks About Its Tragedies

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.
blog comments powered by Disqus
View All Correspondents

The Biggest Story in Photos

Olympic Portraits, Part I: American Athletes

May 30, 2012

Subscribe Now

SAVE 59%! 10 issues JUST $2.45 PER COPY

Facebook

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)

Ta-Nehisi Coates
from the Magazine

Why Do So Few Blacks Study the Civil War?

Ta-Nehisi Coates is an Atlantic senior editor.

Fade to White

A filmmaker maps Austin’s shifting ethnic landscape.

The Legacy of Malcolm X

Why his vision lives on in Barack Obama