Eminem: 'Relapse', 'Recovery', and Rebirth

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Aftermath

Superstar MCs rarely return from a long hiatus at the top of the rap game. There are exceptions, of course—Jay-Z couldn't keep quiet after "retirement" to test his lasting power, and came back with an amazing album and an incredible string of concert tours. Figures that Eminem would take such a challenge last year; his early-'00s peak was the largest hip-hop had ever seen, as was his five-year hiatus (a much bigger number in hip-hop years).

2009's Relapse came after drug addictions and crippling depression, and its songs cheekily acknowledged those roadblocks while miming the quirky "Slim Shady" material of old. But the result, like a recovering addict in denial, was an insincere, heartless mess. Relapse's phony levity and shock-value grabs were mere ghosts of the Shady persona, and Eminem further bungled the proceedings with hokey accents, paltry rhymes, and ho-hum pop references (Christopher Reeves? Jessica Simpson?). The 36-year-old sounded tired.

Eminem didn't respond to the shortcoming by wallowing and hiding out again. Indeed, Em nixed his original plan to release Relapse 2, cutting off all ties from the rotten disc with a new name, new producers, and a new, more panicked vocal attack. The most novel feature on next week's release, Recovery, is the humility:

To the fans, I'll never let you down again, I'm back
I promise to never go back on that promise. In fact,
Let's be honest, that last Relapse CD was "ehh"
Perhaps I ran them accents into the ground
Relax, I ain't going back to that now
There's a game called circle and I don't know how
I'm way too up to back down

This segment from "Not Afraid" is one of many moments in which Em calls out the last disc (and, hell, the one before it) as a bummer, takes responsibility and asks for fans' forgiveness. Fans and critics alike will target these moments: What kind of rapper apologizes? Less talk, more action, Mr. Mathers!

Yet Eminem has never taken braver lyrical action. Unapologetic stories had been his business, but those came from a displaced perspective, whether through other people's perspectives (notably the smash hit "Stan") or through a funhouse-mirror take on his troubled past. On Recovery, Eminem squeezes into a microscope slide and scrutinizes himself as fairly as the rest of the fray. "Going Through Changes" sees Eminem telling the story of his near-suicide, describing a self-loathing so severe that even his daughter became a negative trigger:

I'm hatin' my reflection, I walk around the house tryin' to fight mirrors,
I can't stand what I look like, yeah, I look fat, but what do I care?
I [don't] give a fuck, only thing I fear, is Hailie,
I'm afraid if I close my eyes I might see her.

With that attitude, no song's a throwaway because Recovery chronicles Em's every loss, from the death of his longtime D12 comrade, Proof, to his general sense of insanity in the face of massive fame (the latter inspiring a "divorce" from hip-hop in the album highlight "25 To Life").

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Sam Machkovech is a freelance arts and tech writer based in Seattle, WA. More

Sam Machkovech is a freelance arts and tech writer based in Seattle. He began his career in high school as a nationally syndicated video games critic at the Dallas Morning News, eventually taking up the mantle of music section editor at Dallas weekly paper the Dallas Observer. His writing has since appeared in Seattle weekly The Stranger, in-flight magazine American Way, now-defunct music magazine HARP, gaming blog The Escapist, and Dallas business monthly Dallas CEO. He currently serves as a games and tech columnist for Seattle web site PubliCola.net, as well as a volunteer tutor at the all-ages writing advocacy group 826 Seattle.

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