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Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

Right on Cue

By Ta-Nehisi Coates
May 11 2010, 1:39 PM ET Comment

To all my brothers who is doing unsettling bids,
You woulda got away If it was not for those meddling kids...
--DOOM

My greatest fear about growing old isn't physical. One day I may feel different, but I like maturing. I like becoming wiser. It was simply impossible for me to write things in my 20s that I am able to write now. All of that said, this is what I fear. I know it's Andy Rooney, but watching this, I was embarrassed for him. Rooney ends this with a jibe that notes his ignorance of Lady Gaga is fine, because kids are ignorant of Ella Fitzgerald. I suspect that he gives himself too much credit.

When I was a kid at Howard, I used to go into Ben's Chili Bowl and hit the jukebox. I always played Otis Redding, The JBs, or Sam and Dave. I knew this music for two reasons: 1.) It was what my parents played, and on long road trips their music, not mine, was the soundtrack. It's like being black in America—I knew that part of their world in a way that they could not know mine. 2.) Hip-Hop created a culture of Digging In The Crates. The notion was that digging through crates and crates of records to find a gem was something to be prized.

Whatever you think of the music, no self-respecting hip-hop head, at that time, could ever get away with saying, "Man, I don't be listening to no Ella Fitzgerald!" Your friends would have looked at you like you were crazy. Knowledge—not the kind of ignorance Rooney evinces here—was prized. I remember going into Ben's and the old heads looking over and going, "Son, what you know about that?"

Here's what I knew—when me and Kenyatta took long drives through Maryland, I knew to play Otis Redding, not H-Town. I learned that digging through the crates. I learned that from my parents. But I never said that of course. I just laughed because it was cool and it was funny. But it was also instructional, and here I must apply what I've learned. Perhaps my generation had a monopoly on that kind of knowledge. Maybe young people today really don't know who Ella Fitzgerald is. I don't really know.

What I do know is that, like Rooney, I couldn't name a Lady Gaga song if I heard one right now. But I also know that my son knows more of my music than I know of his. He can recognize Nas, but I can't recognize, say, Drake. In other words, you'd do a lot better banking on my ignorance than his.

Age, like all power constructs, (race, gender, class) encourages it's own ignorance. To not know is a luxury of power. You don't have to know Their Eyes Were Watching God. But I damn sure better know The Scarlet Letter. (It's bad enough I'm slipping on Twain.) Age turns ignorance into a luxury, and worse, if you don't recognize it as a luxury you start to think everyone is as clueless as you. And of course you're clueless that any of this is even going on. It's just a bad look all around.




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