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Jeffrey Goldberg

Jeffrey Goldberg - Jeffrey Goldberg is a national correspondent for The Atlantic and a recipient of the National Magazine Award for Reporting. Author of the book Prisoners: A Story of Friendship and Terror, Goldberg also writes the magazine's advice column.
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Before joining The Atlantic in 2007, Goldberg was a Middle East correspondent, and the Washington correspondent, for The New Yorker. Previously, he served as a correspondent for The New York Times Magazine and New York magazine. He has also written for the Jewish Daily Forward, and was a columnist for The Jerusalem Post.

His book Prisoners was hailed as one of the best books of 2006 by the Los Angeles Times, The New York Times, The Washington Post, Slate, The Progressive, Washingtonian magazine, and Playboy. Goldberg rthe recipient of the 2003 National Magazine Award for Reporting for his coverage of Islamic terrorism. He is also the winner of the International Consortium of Investigative Journalists prize for best international investigative journalist; the Overseas Press Club award for best human-rights reporting; and the Abraham Cahan Prize in Journalism. He is also the recipient of 2005's Anti-Defamation League Daniel Pearl Prize.

In 2001, Goldberg was appointed the Syrkin Fellow in Letters of the Jerusalem Foundation, and in 2002 he became a public-policy scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C.

Lesson from a Montego Bay Pool: Whatever You Do, Don't Mention Isaac Bashevis Singer

By Jeffrey Goldberg
May 13 2010, 12:56 PM ET Comment

The screenwriter Michael Tolkin ("The Player"), e-mailed Goldblog to reminisce about Inna Grade, the widow of the great Yiddish novelist Chaim Grade. (You can read more about Inna Grade and her obsessions -- most notably, her belief that Isaac Bashevis Singer was, in fact, Satan -- here.) Tolkin:
Your Inna Grade link brought back me back to the summer of 1974, when I went to Jamaica for a week after graduating college. The travel agent sent me to a guest house in the hills instead of a beach resort, and the only other people staying there were two Jewish women in their sixties. I had dinner with them a few times in the nearly empty restaurant. They pitied me for the bad luck in drawing them as the only babes at the pool, but I was in a semi-shattered state and just wanted to read and drink. One of them, Hessie Cooperman, taught Yiddish literature at the New School. The other may have been Inna Grade. My only evidence is the way they responded when I told them that as a senior, I had led a winter term reading group devoted to Singer. A chill wind blew from Tarnopol to Montego Bay. They ranted about Singer's reception, and insisted that there was someone else who deserved all the glory, and this was not a mild disagreement over opinion, this was religion. I remember them at all probably because of something else I heard from Cooperman. I told her I wanted to be a writer, and she said. "You will be a writer, but you won't write anything good until you're forty." She was off by a few years, but I believed her, and the prophecy kept me going, and still does. Now it's time to read Grade.


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