Skip Navigation
Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

I Blame Tupac

By Ta-Nehisi Coates
Feb 8 2010, 10:00 AM ET Comment

Cop in the hood digs up this great nugget from 1911:

The demoralizing character of some of the moving picture shows, says the New Jersey Law Journal, continues to be exemplified by proceedings from time to time in our local and county criminal courts. One of the latest instances was a case which came before Judge Case, of the Somerset County courts, where a bright little fellow of nine years of age was arraigned before the judge for truancy and for incorrigibility. The prosecutor informed the court that the root of the boy's misconduct was the moving picture show, and the counsel for the boy stated that the offender had been a good child at home and obedient until he developed the passion for attending moving picture shows.

The account of the case then goes on to say: "When the boy was commanded to stand up before Judge Case he burst into tears. Judge Case called him to his seat behind the bar and talked to him kindly, after which he announced that he would place him in charge of Probation Officer Osbourn for three years. In closing his remarks Judge Case said that the moving picture shows were undoubtedly the most demoralizing force in the country to-day. The pictures had a great fascination for even adults, and the graphic portrayals of holdups, robberies, and of immoral scenes and characters, made a lasting impression on the minds of children that were demoralizing in the extreme. Judge Case said that the court would expect the law relating to moving picture shows to be strictly obeyed in the county."
Heh. "Moving Picture Show." One of the great thrills of reading the old slave oral histories, is the sense among the slave that the "talking pictures" were ruining black youth. With due respect to the slaves, these would be the youth that launched the civil rights movement.


Presented by

More at The Atlantic

Patrick Fitzgerald, Transcendent Federal Prosecutor, Steps Down Patrick Fitzgerald, Transcendent Federal Prosecutor, Steps Down
Love in the Time of Syrian Revolution Love in the Time of Revolution
Romney's Plan to Save Higher Ed: Let the Private Sector Handle It Romney's Plan to Save Higher Education
Have You Ever Tried to Sell a Used TV? Have You Ever Tried to Sell a Used Flat-Screen TV?
How Google Can Beat Facebook Without Google Plus How Google Can Win the Social Media War

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.
blog comments powered by Disqus
View All Correspondents

The Biggest Story in Photos

The American West, 150 Years Ago

May 24, 2012

Subscribe Now

SAVE 59%! 10 issues JUST $2.45 PER COPY

Facebook

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)

Ta-Nehisi Coates
from the Magazine

Why Do So Few Blacks Study the Civil War?

Ta-Nehisi Coates is an Atlantic senior editor.

Fade to White

A filmmaker maps Austin’s shifting ethnic landscape.

The Legacy of Malcolm X

Why his vision lives on in Barack Obama