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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Dick Francis, RIP

By Megan McArdle
Feb 18 2010, 2:20 PM ET Comment

The very first adult books I ever read came out of the deep chest of mystery novels that my parents kept in one corner of the living room.  Agatha Christie, Nero Wolfe, and Dick Francis were my first window onto the grown-up world, and even now, when I am blue, I return to those books, which have a power to soothe my anxieties that nothing else has ever matched.

Dick Francis held a special place in my heart, because like many girls, I loved horses.  I spent my summers riding, and firmly intended to become a jockey when I grew up.  (Yes, I was 5'8 by fifth grade.  No, no one disabused me of my dreams until they had already long been obviously ludicrous.)

Dick Francis novels are almost aggressively wholesome, and wholesome is not fashionable this decade.  He plasters a happy face atop the deep human instinct for loneliness so well that I didn't recognize the fundamental isolation of his main characters until I was . . . well, too old, anyway.  They are about entertainment, not gritty realism or deep psychological drama. But I'm not ashamed to admit that I still love them, and have a bookshelf full of them, and that I gasped in dismay when I learned that he had died.


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