The film is about the two Chanel sisters - Gabrielle (Audrey Tautou) and Adrienne (Marie Gillain) who at a young age were placed in an orphanage by their father. As young women, they both became courtesans and Cabaret entertainers. One wicked song they perform about a dog resulted in Gabrielle receiving the dog's name, Coco, as her own.
As courtesans, the young woman attract the attention of lovers. Adrienne meets a baron and Gabrielle a French nobleman, Etienne (Benoit Poelvoorde). From that point on we learn little of Adrienne's life. Coco now occupies center stage. Coco's affair with Etienne leads to a more intense affair with an Adonis-like Englishman known as Boy Capel (Alessandro Nivola). Boy, in need of money, is already engaged to marry a wealthy Englishwoman. While he will never marry Coco, their intense affair continues and becomes one of true love.
The movie depicts the period in which Coco is played against the dissolute French society comprised of Etienne's friends - bawdy and ever searching for sensual pleasures. While there is little display of naked bodies, the mood of sexual joy between Coco and Boy truly dominates the screen and gets your attention.
Tragedy enters Coco's life. In response, she becomes one of the world's great designers of women's clothing whose creations are still standards and delight the eye. Coco's intelligence and indominibale spirit were her strength. She was totally unafraid of violating conventions, and she never backed down.
"Coco Before Chanel" is not a great film, but it is a good one. The show was sold out when I saw it on opening night at the Paris Theater, and the audience was comprised primarily of women. (In French, with English subtitles.) The picture reminded me of "La Vie en Rose," which depicts the life of Edith Piaf and includes her most famous songs. If you haven't seen that picture, get it on video.