All Of My Purple Life

More

I missed out on too much Prince, when I was kid. Weirdly enough, I thought of Prince as my mother's music. I think all black kid's who came up in the 80s had mothers who loved Prince. Much of my favorite Prince stuff, not from me rocking it, but from my Moms. She loved Kiss and the video. I remember she thought the line "You don't have to watch Dynasty, to have an attitude," was great.

One thing I've appreciated about Prince, as I've aged, is that he knows how to sing about sex, like a man honestly singing about sex. Much of the misogyny in hip-hop (and I suspect in other art forms too) comes from, forgive my profanity, a deep-seated fear of ass. Men--and especially young men--fear what they will do to be physically involved with a woman with whom they're infatuated. They compensate by turning this fear on its head and projecting. They make women into temptresses, gold-diggers, and villains, and make themselves into conquering heroes. Pussy don't rule me, they'll say--even though pussy ain't thinking about them. Which is the problem, or rather their problem.

But Prince was never afraid of himself, or what he'd do. On the contrary, he embraced it. In a song like "Erotic City" he earns the right to say "We can fuck (funk) until the dawn," by first saying,"Every time I comb my hair\Thoughts of you get in my eyes," or "All of my hang-ups are gone\How I wish you felt the same." He revels in the wanting, in the potential for rejection, he does not fear it. And having done that, he goes out and makes his own demands,

Women, not girls, they rule my world
I said they rule my world
Act your age, not your shoe-size, Mama
And maybe we can do the twirl.

That is just great. It's all there, and so confident--a mixture of his own power ("Act your age, not your shoe-size.") and vulnerability ("they rule my world.") I think that mix of vulnerability, confidence and honesty was why our mothers loved him. I think that was the sort of alchemy we missed in hip-hop. We got close a few times--notably De La Soul on "Buddy" or "Eye Know," or The Roots on "Silent Treatment" or "You Got Me." Also, there are a few Outkast joints. But we never achieved that sort of confidence--that sort of true manhood.

But hey, that's why he's arguably the greatest pop musician of our time. Know if he can just get off the homophobia tip.

Jump to comments
Presented by

Ta-Nehisi Coates is a national correspondent at The Atlantic, where he writes about culture, politics, and social issues. He is the author of the memoir The Beautiful Struggle.

Get Today's Top Stories in Your Inbox (preview)

An Eerie Tour of Chernobyl's Wasteland

"Do not touch the water. There is nothing more irradiated than the water itself."


Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register. blog comments powered by Disqus

Video

Is Technology Making Us Better Storytellers?

The minds behind House of Cards and The Moth weigh in.

Video

A Short Film That Skewers Hollywood

A studio executive concocts an animated blockbuster. Who cares about the story?

Video

In Online Dating, Everyone's a Little Bit Racist

The co-founder of OKCupid shares findings from his analysis of millions of users' data.

Video

What Is a Sandwich?

We're overthinking sandwiches, so you don't have to.

Video

Let's Talk About Not Smoking

Why does smoking maintain its allure? James Hamblin seeks the wisdom of a cool person.

Writers

Up
Down

More in Entertainment

From This Author

Just In