Skip Navigation
Ta-Nehisi Coates

Ta-Nehisi Coates - Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the memoir The Beautiful Struggle. More

Born in 1975, the product of two beautiful parents. Raised in West Baltimore—not quite The Wire, but sometimes ill all the same. Studied at the Mecca for some years in the mid-’90s. Emerged with a purpose, if not a degree. Slowly migrated up the East Coast with a baby and my beloved, until I reached the shores of Harlem. Wrote some stuff along the way.

On apologies

By Ta-Nehisi Coates
Sep 5 2008, 10:35 AM ET Comment

Heh, I think some of you were almost as pissed about me apologizing for the "jump in a river" line as the "uppity" comment. For the record the line was directed at some of my fellow pundits and bloggers who've been on this "woe is Sarah Palin" kick. As much as I disagree with them, I don't actually want them to jump in a river--not even metaphorically.

Anyway, I get why people actually recoiled at the apology. When tackling the opposition, there is always the temptation to respond with as much force as possible, to marshal all your sarcasm, all your anger, all your righteousness, and hurl it at them without regard. When I write, I'm always at war with that temptation. I did a lot of that when I was young, and I quickly became a master of The Screed, if not much else. It was writing as a sort of scrawled pornography, writing as masturbation, writing to work out my own anger, and the issues of people who happen to agree with me. But when I looked up from it all, I still felt alone--my whole audience consisted of people who were like me, so effectively, I was.

You can beat the opposition with a club all day long, if you have no regard for the people on the side getting sprayed with blood. That's a kind of writing that pleases me and people who agree with me, but shows absolutely no regard to people who either don't agree, or aren't decided. I have no idea why anyone would want to write in such a fashion. It's arrogant, self-absorbed, and better suited to one's diary, or their inane, half-drunk, happy-hour ramblings.

If you see me apologize, and think that it is, as one commenter said (In Bush-like fashion, may I add) "a sign of weakness," know this--I care about what is, not "signs" of what is. My strength isn't in my righteousness, my haughtiness, and it damn sure ain't in my spelling. My strength is in--if I may be so bold--slinging verbs, in pulling from arcane places, and--mostly--in assuming that the people on the other side have their reasons also. What I hope to do is engage those arguments directly, honestly, without strawmen (the truest sign of weakness), and respectfully. If you see me apologize, it's because I didn't do that. I have no fear of admitting an error--and I don't do it to comfort the other side. I do it for me, and for those who might be swayed. There's nothing weak about that. 


Presented by

More at The Atlantic

Should Google's Search Results Be Protected by the First Amendment? Should Google's Search Results Be Protected by Free Speech?
SNL Is Hopelessly Stuck in the Past SNL Is Hopelessly Stuck in the Past
Why a Chinese Company Wants to Own Your Local Movie Theater Why a Chinese Company Wants to Own Your Local Cinema
The End Is Near, and My Crew Is Sleepy The End Is Near, and My Crew Is Sleepy
The Bee Gees Are Disco Icons, but Robin Gibb Was Pure Pop The Bee Gees Are Disco Icons, but Robin Gibb Was Pure Pop

Join the Discussion

After you comment, click Post. If you’re not already logged in you will be asked to log in or register.
blog comments powered by Disqus
View All Correspondents

The Biggest Story in Photos

One Year Since the Joplin Tornado

May 23, 2012

Subscribe Now

SAVE 59%! 10 issues JUST $2.45 PER COPY

Facebook

Newsletters

Sign up to receive our free newsletters

(sample)

(sample)

(sample)

(sample)

(sample)

(sample)

Ta-Nehisi Coates
from the Magazine

Why Do So Few Blacks Study the Civil War?

Ta-Nehisi Coates is an Atlantic senior editor.

Fade to White

A filmmaker maps Austin’s shifting ethnic landscape.

The Legacy of Malcolm X

Why his vision lives on in Barack Obama