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October 26, 2006
MYSTERY & SUSPENSE
End of Story, by Peter Abrahams (William Morrow)
"A creative-writing class in a maximum-security prison becomes a crucible for intrigue." ..... False Impression, by Jeffrey Archer (St. Martin's)
"A murder on the eve of 9/11 sparks a globe-spanning search for—what else?—a priceless Van Gogh." ..... One Good Turn, by Kate Atkinson (Little, Brown)
"Atkinson hit the jackpot again, putting her skill with complex plots to excellent use, in a literary mystery infused with her characteristic quirk and verve." ..... Arthur & George, by Julian Barnes (Knopf)
"Barnes sidelines his immense cleverness to pursue a more conventional but sweepingly ambitious whodunit. He transforms an obscure historical footnote...into a mesmerizing investigation of the Anglo-Saxon character." ..... Restless, by William Boyd (Bloomsbury)
"[An] espionage thriller and domestic drama by one of the very best prose stylists and storytellers in the English language." ..... Pegasus Descending, by James Lee Burke (Simon and Schuster)
"Detective Dave Robicheaux navigates New Orleans (and his newfound sobriety) while on the trail of a mysterious counterfeiter." ..... Two Little Girls in Blue, by Mary Higgins Clark (Simon & Schuster)
"Clark has crafted a tight thriller...and her use of coincidence, near misses, investigative breaks, and criminal double crossing is nothing short of masterly—so much so that it feels a bit too schematic, as technically precise as the workings of a clock." .....
Promise Me, by Harlan Coben (Dutton)
"Entertainment agent Myron Bolitar finds himself mired in mystery after the disappearance of a teenage girl." .....
Crime Beat, by Michael Connelly (Little, Brown)
"A collection of newspaper articles from the mystery novelist's former career as a police reporter." ..... True Confessions, by John Gregory Dunne (Thunder's Mouth Press)
"An achievement of Robert Townean proportion...so bleak and beautiful...The book is a masterpiece." ..... The Afghan, by Frederick Forsyth (Putnam)
"A British special-forces operative tries to infiltrate al-qaeda in order to avert a terrorist attack of 9/11-like scale." ..... When the Devil Holds the Candle, by Karin Fossum (Harcourt)
"Combining the deadly ennui of Camus's Stranger with elements of Stephen King's Misery and Hitchcock's Psycho, this is an engagingly repulsive book." ..... The Foreign Correspondent, by Alan Furst (Random House)
"He has the ability to invent plots that work all on their own, which is, as Somerset Maugham once pointed out, a very rare gift indeed." ..... What Came Before He Shot Her, by Elizabeth George (HarperCollins)
"Another winner from the current master of the classic English mystery." ..... Hand in Glove, by Robert Goddard (Delta)
"On a sentence level, Goddard's writing is determinedly unshowy, but any author who can manage so complex an array of characters (themselves admirably complex), who builds suspense around a hidden map to buried treasure, and who casts moustache-twirling Spanish fascists in the role of uber-baddies, knows how to have a good time." .....
The Shape Shifter , by Tony Hillerman (HarperCollins)
"The discovery of a long-lost rug drags Joe Leaphorn out of retirement and into a once-closed investigation." ..... A Death in Belmont , by Sebastian Junger (Norton)
"How The Perfect Storm's author's mother came face-to-face with the Boston Strangler—and lived to tell the tale." ..... Forgetfulness, by Ward Just (Houghton Mifflin)
"[Just] trains his considerable skill on making the political personal with regard to terrorism. Written in a style both taut and reflective, this is suspense of the highest order." ..... Damnation Street, by Andrew Klavan (Harcourt)
"Klavan's confidently wry style keeps things punched up throughout...If having this much fun with a tale of assassination and romantic melancholy is wrong, who wants to be right? " ..... The Mission Song, by John le Carré (Little, Brown)
"From the master of the spy novel comes yet another story about an unlikely hero, this time a multilingual interpreter based in London. The subject of The Mission Song is Africa...and the author's affection for that troubled continent is palpable." ..... The Man Who Smiled, by Henning Mankell (New Press)
"The cantankerous and depressive (but still, somehow, tremendously appealing) Swedish Inspector Kurt Wallander is contacted by an old acquaintance who wants Wallander's help in looking into the suspicious death of his father. When the acquaintance is himself murdered, Wallander comes out of a self-imposed retirement to solve both cases." ..... Fiddlers, by Ed McBain (Harcourt)
"In the fifty-fifth (and final) book in the late McBain's 87th Precinct series, the shooting of a blind violinist launches a manhunt for a serial killer." .....
Eye Contact, by Cammie McGovern (Viking)
"An autistic boy is the only witness to a murder." ..... Fortunate Son, by Walter Mosley (Little, Brown)
"The lives of a privileged white boy and a sickly black boy converge and diverge unexpectedly in this novel from the creator of the Easy Rawlins mysteries." ..... Fear of the Dark, by Walter Mosley (Little, Brown)
"Fans of Mosley's Easy Rawlins stories will find in this new series all of the author's usual strengths: a dark glimpse at the pervasive racism of 1950s America, relaxed prose with moments of tight brilliance, and dialogue that makes you feel like you're living the story firsthand." ..... City of Tiny Lights, by Patrick Neate (Riverhead) "A Ugandan-Indian detective (and former Afghan mujahid) searches for a missing Russian prostitute in contemporary London." ..... Havana Black, by Leonardo Padura (Bitter Lemon Press)
"A revelation...this is simply a lush, frank, captivating murder mystery." .....
The Poe Shadow, by Matthew Pearl (Random House)
"A literary thriller from the author of The Dante Club probes the mysterious circumstances of Edgar Allan Poe's death." ..... The Night Gardener, by George Pelecanos (Little, Brown)
"Pelecanos manages...to evoke Chandler himself, without being at all retro or self-conscious about it. A host of supporting characters...help flesh out this deeply human tale, which doesn't shy from the unexpected discoveries and laudably unsatisfying resolutions of all great noir." ..... Nighlife, by Thomas Perry (Random House)
"A Portland, Oregon, homicide detective hunts a female serial killer who changes identities as casually as she dispatches her victims." ..... Brandenburg Gate, by Henry Porter (Grove/Atlantic)
"In the last days of divided Berlin, a Stasi-agent-turned-art-scholar runs from his cloak-and-dagger past, fending off entreaties from British intelligence and the CIA." ..... The Interpretation of Murder, by Jed Rubenfeld (Holt)
"Sigmund Freud tours New York in 1909 and turns his analytical powers to solving high-society crimes. Although the plot is fictional, the author...drew extensively on Freud's letters and published works in writing his dialogue." ..... Dirty Blonde, by Lisa Scottoline (HarperCollins)
"A federal judge finds her secret sex life infringing on her caseload." ..... The Ruins, by Scott Smith (Knopf)
"Two vacationing American couples find terror in an old Mayan settlement, in the second novel from the author of A Simple Plan." ..... The Devil's Feather, by Minette Walters (Knopf)
"A foreign correspondent tracks a serial killer from Sierra Leone to Iraq to the U.K." ..... Hollywood Station , by Joseph Wambaugh (Little Brown)
"Wambaugh, one of the originators—if not the originator—of the modern police novel, returns after a long hiatus to the fictionalized inner workings of the LAPD. Here he tracks a series of seemingly unrelated stories in the jurisdiction of L.A.'s Hollywood Station, and offers all the characteristic Wambaugh magic: unlikable and conflicted characters we grow to love; a perfect mix of good guys and bad (and a confusion, sometimes, about which are which); and small vignettes that tie together seamlessly by the end." ..... Scene of the Crime: Photographs from the LAPD Archive, by Tim Wride, James Ellroy, William J. Bratton (Harry N. Abrams)
"An inescapably gruesome book...many of the scenes involve crimes of passion, and it's partly the quotidian settings that make these photos so disturbing."
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