See web-only content:
http://www.theatlantic.com/daily-dish/archive/2009/09/samples-and-synapses/196004/
Jonah Lehrer explains the science behind Girl Talk, the mash-up genius who blends dozens of songs into his dance tracks:
Let's say you're listening to that catchy Wu-Tang song, with the chorus "And let's start it like this, son, rollin' with this one / And that one, pullin' out gats for fun". Once the acoustic snippet enters working memory, individual neurons in the prefrontal cortex will fire in response to the stimulus - they are the neural representation of the song. Here's where things get interesting: even when the stimulus disappears - you've now started listening to a different song, perhaps that Boston song "Foreplay/Long Time" - those working memory cells continue to fire. They're still holding on to the Wu-Tang clip, which is why working memory is a type of memory. This echo of activity only lasts for a few seconds, but it's long enough so that our thoughts get blended together, as seemingly unrelated sensations overlap.
GQ has a new profile of the artist, Gregg Gillis, here.
This article available online at:
http://www.theatlantic.com/daily-dish/archive/2009/09/samples-and-synapses/196004/
