The Movie Review: '(500) Days of Summer'
A gem of a film featuring sad pancakes, shrewd acts of cinematic theft, and giant Bahama-blue eyes More »
Christopher Orr is a senior editor and principal film critic at The Atlantic. He has written on movies for The New Republic, LA Weekly, Salon, The New York Sun, and others, and has worked as an editor for numerous publications.
A gem of a film featuring sad pancakes, shrewd acts of cinematic theft, and giant Bahama-blue eyes More »
Johnny Depp is magnetic, but will you care when the lights come back on? More »
As if the plot, acting, and length (two and a half hours!) weren't painful enough, they had to throw in a pair of jive-talking minstrel-show robots More »
Another exercise in emotional manipulation and cinematic Tourettism from Tony Scott More »
Steven Soderbergh's newest micro-indie is all stunt, no soul More »
The director of 'Up' describes how Pixar is like an old-style Hollywood studio More »
Pixar's most touching film yet manages to find wonder in grief More »
Help! Rome is in danger, and Tom Hanks is no longer wearing a mullet! More »
Is it a gas? Yes. Would Gene Roddenberry be proud? Maybe More »
Are Hugh Jackman's chiseled pecs enough to carry a lackluster 'X-Men' prequel? More »
Robert Downey, Jr. is great. The rest of the movie More »
It's not bad. It just never should've been made. More »
That latest addition to the mall cop canon is brutally fun. Perhaps too brutal. More »
Two of the best movies of the year so far--one confounds expectations, while the other most certainly does not More »
Enjoyable enough if you're under 13, or have the taste of someone under 13 More »
There! Behind that door! I see something. It's a ... It's a ... TERRIBLE MOVIE! More »
The famous comic was long believed to be unfilmable. I still agree. More »
A welcome reminder that drama doesn't always have to be showy More »
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