Clooney's Silly, Tedious 'Ides of March'
The star's latest directorial outing loses itself in a political fantasyland More »
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Christopher Orr is a senior editor and principal film critic at The Atlantic. He has written on movies for The New Republic, LA Weekly, Salon, The New York Sun, and others, and has worked as an editor for numerous publications.
The star's latest directorial outing loses itself in a political fantasyland More »
How Steve Jobs' animation studio creates its masterpieces More »
The U.S. debut of a Danish director provides a stylish, hyper-violent shock to the system More »
Impeccably cast and directed by Stephen Soderbergh, the film thrills but doesn't signify much More »
The film's flashbacks thrill, but the latter-day scenes don't quite measure up More »
Fast and foul-mouthed, the film is a diverting ride--despite some uncomfortable echoes More »
The film's CGI simians are a marvel; it's a pity their human counterparts are so lousy More »
'The Deathly Hallows: Part 2' serves up a satisfying finale to the Potter franchise More »
Neither ambitious nor inventive, the movie is funny nonetheless More »
The film is an ugly journey into Michael Bay's id More »
Two buddies tap into the joy of banter--and not much else--in this converted BBC mini-series More »
Formulaic, bland, and improbable, the film's greatest flaw lies in its shallow moral message More »
J.J. Abrams's latest film is a heartfelt homage to early Spielberg More »
Terrence Malick's latest film is his most personal--and at times most maddening--to date More »
What's good for the ratings isn't always good for the game More »
The adult buddy flick takes the original's premise and pushes the comedy further--a lot further More »
A review of the latest installment in the tired Johnny Depp franchise More »
A review of the Kenneth Branagh-directed superhero movie More »
