'Warm Bodies': A Heartfelt Zombie Love Story
Sure, the premise is creepy, but Nicholas Hoult brings life to an undead role. More »
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Christopher Orr is a senior editor and principal film critic at The Atlantic. He has written on movies for The New Republic, LA Weekly, Salon, The New York Sun, and others, and has worked as an editor for numerous publications.
Sure, the premise is creepy, but Nicholas Hoult brings life to an undead role. More »
So long as his 'Star Trek' affiliation doesn't annihilate the known universe, there's reason for optimism. More »
So broken that it takes a diagram to untangle it More »
The performances in Tom Hooper's adaptation of the musical impress, then enter overkill territory. More »
Director Kathryn Bigelow's latest is a cinematic tour de force, but one open to moral questions. More »
The Atlantic's film critic picks the year's 10 best titles—and doles out some less-conventional awards. More »
Orcs! Battles! Backstory! At nearly three hours, the first installment of Peter Jackson's new Tolkien trilogy has too much of nearly everything. More »
Andrew Dominik's new film is most notable for reminding us of the crime-genre contributions of George V. Higgins. More »
The peculiar yet delightful hybrid may just be the best animated movie of the year. More »
David O. Russell's exceptional new film showcases the emerging talents of stars Bradley Cooper and Jennifer Lawrence. More »
Daniel Craig's third outing cements the notion that there's still life left in 007. MGM For fans of the Bond canon (and I count myself one), the stakes for the newest installment, Skyfall, are sky high. The film is the third starring Daniel Craig—by any reasonable assessment a better Bond than any since Sean Connery—and as such it possesses a kind of deciding-vote quality over the two that preceded it. The first, Casino Royale, was not merely 007's… More »
Daniel Day-Lewis mesmerizes as the Great Emancipator in Steven Spielberg's political portrait. More »
Despite a sharp conceit, the new Disney feature gets lost in its own plot twists. More »
In an extraordinary performance, John Hawkes takes us inside the mind of a disabled man attempting to lose his virginity. More »
A hokey, unfaithful, and yet surprisingly watchable adaptation of David Mitchell's nove More »
Despite a strong central performance by Mary Elizabeth Winstead, the Sundance favorite can't escape its message-movie feel. More »
'Moonrise Kingdom,' out this week on DVD, plays on Wes Anderson's continuing fascination with the dissonance between children and adults. More »
The latest film by the writer-director of 'In Bruges' may be the sharpest subversion of the crime genre since 'Pulp Fiction.' More »
Tim Burton's latest is his best in nearly two decades. More »
Adam Shankman's rock-musical farce could have worked if its younger stars had been in on the joke. More »
