The Movie Review: 'Open Water'
'Open Water' and the limits of authenticity. More »
Christopher Orr is a senior editor and principal film critic at The Atlantic. He has written on movies for The New Republic, LA Weekly, Salon, The New York Sun, and others, and has worked as an editor for numerous publications.
'We Don't Live Here Anymore' and the cinema of misanthropy More »
A new director breathes new life into the Harry Potter franchise More »
"Arrested Development" breathes new life into the family sitcom More »
Van Helsing and the lure of computer-generated images More »
The Day After Tomorrow holds itself to a standard it can't possibly meet More »
Capturing the horror of the high school years More »
Film, memory, and Eternal Sunshine of the Spotless Mind More »
Mel Gibson sanctifies his perverse obsessions More »
Dogville's critique of capitalism is impossible to take seriously. More »
With Kill Bill Volume 2, Tarantino Does a Bad Sergio Leone Impression More »
'Hellboy' is an entertaining blend of 'X-Men,' 'Men in Black,' and 'Buffy the Vampire Slayer' More »
The Big Bounce finds a new way to ruin Elmore Leonard More »
Sign up to receive our free newsletters

