Christopher Orr

Christopher Orr is a senior editor and principal film critic at The Atlantic. He has written on movies for The New Republic, LA Weekly, Salon, The New York Sun, and others, and has worked as an editor for numerous publications.

<i>Man of Steel</i>: The <i>Dark Knight</i>-ification of Superman

Man of Steel: The Dark Knight-ification of Superman

The reboot, from director Zack Snyder and co-writer Christopher Nolan, is thoughtful, ambitious—and less fun than it might have been. More »

The Flimsy Hilarity of <i>This Is the End</i>

The Flimsy Hilarity of This Is the End

Seth Rogen's End Times comedy is crass, self-referential, and extremely funny. More »

Joss Whedon on the 'No Brainer' of Modernizing <i>Much Ado About Nothing</i>

Joss Whedon on the 'No Brainer' of Modernizing Much Ado About Nothing

The Avengers director discusses adapting Shakespeare's comedy to the present day, what it was like to film in his own house, and the future of Dr. Horrible 2. More »

The Awful <i>After Earth</i>

The Awful After Earth

On the upside, this may be the first terrible movie by M. Night Shyamalan that's not primarily his fault. More »

The New <i>Arrested Development</i> Is Something Genuinely New

The New Arrested Development Is Something Genuinely New

The 15 episodes of Season Four aren't really episodes—or a season. More »

The Lightweight Appeal of <i>Star Trek Into Darkness</i>

The Lightweight Appeal of Star Trek Into Darkness

As before, the cast is lively, the plot ridiculous, and the action nearly nonstop. More »

Some Spoilery <i>Game of Thrones</i> Speculation About Robb and Talisa

Some Spoilery Game of Thrones Speculation About Robb and Talisa

For Storm of Swords readers only! More »

A Grating <em>Great Gatsby</em>

A Grating Great Gatsby

Baz Luhrmann's adaptation is just the latest example of his tragic attraction to tragedy. More »

<i>Iron Man 3</i>: The Liberation of Tony Stark

Iron Man 3: The Liberation of Tony Stark

Sure, the plot's a mess. But Robert Downey Jr. and writer/director Shane Black keep the focus where it belongs: on the man, not his armor. More »

Danny Boyle's <i>Trance</i> Offers a Woozy Ride

Danny Boyle's Trance Offers a Woozy Ride

Is the director's hypnotism thriller good? Bad? It's hard to say—maybe it's both. More »

The Lively Horrors of <i>Evil Dead</i>

The Lively Horrors of Evil Dead

Fede Alvarez's remake of the 1981 Sam Raimi classic is a stylish, inventive, gruesome homage. More »

Roger Ebert, the Enthusiast

Roger Ebert, the Enthusiast

Why we'll miss him More »

The Bad Omen of 'Finding Dory'

The Bad Omen of 'Finding Dory'

Does Pixar's worsening case of sequel-itis mean the studio's heyday is already past? More »

'Game of Thrones' Retains Its Crown

'Game of Thrones' Retains Its Crown

The third season of HBO's dazzling fantasy epic is even better than the previous one. More »

The Bad Lessons of 'Admission'

The Bad Lessons of 'Admission'

Why can't Tina Fey extend her domination of the small screen to the big one? More »

'Stoker': A Stylish Slice of Malice

'Stoker': A Stylish Slice of Malice

Park Chan-wook's first movie in English may be more conventional than his earlier films, but it's still a sleek, nasty thriller. More »

What Went Wrong With Romantic Comedies: Part 3

What Went Wrong With Romantic Comedies: Part 3

More critiques of critiques of my critique of modern-day romantic comedies More »

What Went Wrong With Romantic Comedies: Part 2

What Went Wrong With Romantic Comedies: Part 2

Critiquing a critique of my critique of modern-day romantic comedies More »

My 2013 Academy Awards Predictions

My 2013 Academy Awards Predictions

The Atlantic's film critic picks out this year's Oscar winners More »

Issue March 2013

Why Are Romantic Comedies So Bad?

The long decline from Katharine Hepburn to Katherine Heigl

The Biggest Story in Photos

Early Monsoon Rains Flood Northern India

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