The poem “Wild Nights! - Wild Nights!” taught the novelist Emma Donoghue about sexuality, ambiguity, and intimacy.
Is literature better at coming up with complex women protagonists than Hollywood? A long history of book-to-film adaptations suggests so.
The contenders include a debut novelist and a previous winner.
Only one of the six writers on the list, Deborah Levy, has previously appeared on it.
Alexander Weinstein’s collection of short stories, Children of the New World, presents a bleak, brilliant view of humanity fully in technology’s thrall.
In the aftermath of 9/11, the young-adult historical fiction series showed me how people move forward after earth-shattering moments.
The novelist and poet Alice Mattison discusses finding inspiration in the unconventional short stories of Grace Paley.
In his coming-of-age book The Cook Up, D. Watkins writes about drugs, race, and class for audiences living in different Americas.
After To Kill a Mockingbird, readers didn’t demand more from its author. For fans of the musician behind Channel Orange, it’s a different story.
The newly published script of Jack Thorne’s play is a compelling read but an uncomfortable fit within J.K. Rowling’s series.
A collection of books recommended by The Atlantic’s editors and writers
She endorsed a fittingly feminine, pro-compassion sci-fi classic while introducing her mother at the DNC.
Two new novels ponder the still-urgent question of what could have compelled young women to do such terrible things.
The German sociologist Jens Beckert argues that literary theory can help explain what economics fails to.
In Jesse Ball’s new novel, an angry young narrator adds to the pantheon of tortured but brilliant protagonists.
The 1974 science-fiction novel by D.G. Compton predicted a future where even the most private moments are broadcast as entertainment.
Readers complain about the imagery that adorns the author's highbrow novels. But there's value in embracing the oft-scorned "women's fiction" genre.
In an era fixated with science, technology, and data, the humanities are in decline. They’re more vital than ever.
Laura Ingalls Wilder’s popular book series championed emotional restraint—an approach I’ve come to both question and appreciate in adulthood.
New fiction collections from Abigail Ulman and Rebecca Schiff feature young female narrators finding their way through a mass culture where individuality is everything.