Man Bites Dog: A Small Publisher Speaks Up on Amazon's Behalf

The latest version of an argument that has been with us for a very long time.
Portion of the cover of the book that has helped keep Random House going. (Wikipedia)

I've long been wary of Amazon, for reasons that have come to a head with its highly publicized struggle with Hachette. This recent Atlantic item by Jeremy Greenfield lays out the stakes well. To summarize:

In the short run, Amazon can argue that it's working purely "in the customer's best interest" by squeezing publishers to agree to its terms. In the longer run, the result will be a further destructive "de-bundling" of the book market and book industry, skewing the supply even more heavily to lower-risk blockbuster books.

How is publishing "bundled"? One example: Over the past few years, the Random House empire has regularly praised heaven for the existence of E.L. James's Fifty Shades saga, which has underwritten a lot of other projects the house has supported. (Say, like this one.) The Amazon-vs.-publishers struggle is a version of the arguments about Wal-Mart's effects—"better" for customers day by day, much worse for traditional downtowns—or about lower-cost, mass-produced fast food. These big questions of measurable efficiency, versus other unmeasurable or longer-term components of social well-being, have been with our country from the start. (I went into them a lot in More Like Us.)

But on the other side, here is a pro-Amazon note from a publisher. The author says that Amazon's radically more efficient business practices have been a boon to him, in his role as a small publisher (of DVDs), compared with traditional retailers or distributors. He writes:

I am seeing the Amazon-ire over Hachette gathering steam in some quarters, and certain I share concerns (Oh wait, I was concerned about this years ago!)

What I am not seeing is anyone talking about the actual dollars and cents, and offer the below as hard data on what our experience is with Amazon and other retailers and distributors....
 
Like many, perhaps the majority of products on Amazon, our DVDs are sold under Amazon's consignment program. They are branded as Sold by Amazon, but as a matter of how the money actually changes hands, it's a consignment arrangement.

As needed, Amazon sends us a stock up request for various numbers of our various titles. We pay shipping, but we do not pay storage in Amzon's warehouse.

We set the MSRP [Manufacturer's Suggested Retail Price], but Amazon sets the discount. Paradoxically(?) the faster a title is selling, the deeper Amazon discounts. My presumption is this is done algorithmically. We've seen our titles discounted anywhere from 0% to ~35%.

Regardless of Amazon's discounting at the end of each month Amazon pays us 45% of MSRP. This is done automatically and a full accounting of sales, monies owed and paid is available online through our consignment retailer interface, which also gives us complete control over the product description and some (but sadly not sufficient) control over the product metadata.

If our DVDs sat on Amazon's warehouse shelves too long Amazon would send them back to us at our cost, but this has never happened. We can also make stock-up requests if we think our inventory at Amazon's warehouse is insufficient to meet upcoming demand.

By comparison, if we were to do business with Baker & Taylor or other "traditional" middlemen they would pay us no more than 40% MSRP, pay invoices in 90-180 days, over order titles and then back-charge us for returns.

In short, Amazon is the best deal going for a small publisher: a better price and better reach than any other options. I make no presumption that Amazon is 'the bad guy" in their dispute with Hachette, or even that there is a bad guy. If Hachette has a better deal somewhere else, they should take it.

I assume that Hachette's retort would be: When certain players become dominant enough, it is cutesy rather than realistic to say "If you don't like our terms, go find a better deal somewhere else." No one else is in a position to offer comparable deals. Of course the history of technology is of "impregnably" dominant figures suddenly being disrupted. Anything anyone says about Amazon was said with 100 times more rancor about Microsoft a mere 15 years ago. This era too will presumably pass; the question is what gets disrupted or eliminated in the meantime.

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James Fallows is a national correspondent for The Atlantic and has written for the magazine since the late 1970s. He has reported extensively from outside the United States and once worked as President Carter's chief speechwriter. His latest book is China Airborne. More

James Fallows is based in Washington as a national correspondent for The Atlantic. He has worked for the magazine for nearly 30 years and in that time has also lived in Seattle, Berkeley, Austin, Tokyo, Kuala Lumpur, Shanghai, and Beijing. He was raised in Redlands, California, received his undergraduate degree in American history and literature from Harvard, and received a graduate degree in economics from Oxford as a Rhodes scholar. In addition to working for The Atlantic, he has spent two years as chief White House speechwriter for Jimmy Carter, two years as the editor of US News & World Report, and six months as a program designer at Microsoft. He is an instrument-rated private pilot. He is also now the chair in U.S. media at the U.S. Studies Centre at the University of Sydney, in Australia.

Fallows has been a finalist for the National Magazine Award five times and has won once; he has also won the American Book Award for nonfiction and a N.Y. Emmy award for the documentary series Doing Business in China. He was the founding chairman of the New America Foundation. His recent books Blind Into Baghdad (2006) and Postcards From Tomorrow Square (2009) are based on his writings for The Atlantic. His latest book is China Airborne. He is married to Deborah Fallows, author of the recent book Dreaming in Chinese. They have two married sons.

Fallows welcomes and frequently quotes from reader mail sent via the "Email" button below. Unless you specify otherwise, we consider any incoming mail available for possible quotation -- but not with the sender's real name unless you explicitly state that it may be used. If you are wondering why Fallows does not use a "Comments" field below his posts, please see previous explanations here and here.

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