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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. She is currently on leave.
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Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero � all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Netflix Plays the Long Game

By Megan McArdle
Mar 17 2011, 10:28 AM ET Comment

Ryan Lawler has a smart take on Netflix's move into original content:


Netflix's bold bid for original programming comes at the same time that various cable networks and distributors have dismissed its ability to disrupt their core businesses. The overwhelming sentiment in Hollywood seems to be that Netflix will get the scraps that no one else wants. "What used to be called 'reruns' on television is now called Netflix," Comcast CEO Brian Roberts told the Wall Street Journal a few weeks ago. Time Warner chief Jeff Bewkes has been equally dismissive in the past, saying that he believes Netflix will be a place for low-value content that networks and studios can't syndicate anywhere else.

By bidding on an original show like House of Cards, Netflix is sending a message to the cable networks and distributors: "If you won't license shows to us, we'll cut our own deals for the shows you want." In the same way that a shrewd end-around with indie studios gave it access to an Oscar-winning movie before anyone one else, Netflix is going to TV producers directly and cutting out the networks they've previously depended on to fund their shows. And, as Kafka points out, that could give it some leverage as it strikes future network deals.

This makes total sense to me--both as a strategic threat, and an actual strategy.  It is obviously in the interest of Netflix, and probably in the interests of consumers, for it to be a one-stop-shop for all the content you might want to download.  The way to do that is either to be so big that they can't afford not to deal with you--or to make the content yourself.

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