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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. She is currently on leave.
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Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero � all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Is Netflix Becoming a Television Station?

By Megan McArdle
Mar 16 2011, 9:45 AM ET Comment

The Wall Street Journal says that Netflix is in talks to distribute an original television series starring Kevin Spacey and directed by David Fincher.  The company seems to hope that it can follow the path blazed by HBO and AMC, becoming a destination for original shows as well as other peoples' content.


This is a major strategic shift for the company, which right now is a high-volume purveyor of relatively cheap content.  Diversifying this way could represent the next evolution in digital entertainment, but it's also risky.  (A&E was producing some great original content in the 1990s, but eventually abandoned the strategy and retreated to its core business of rebroadcasting Law and Order reruns.)  The competency required to be a DVD distributor don't really overlap that much with the competencies required to identify and support successful television programming.

Moreover, how much does this really get Netflix?  They already have a huge subscriber base--how many people will add on a subscription in order to watch a single original show?  Moreover, airing original content puts Netflix directly into competition with the people it buys content from.  I doubt that a single show is going to have much effect, but if Netflix moves more firmly into the content space, other providers are going to be watching with a gimlet eye.

On the other hand, Netflix has proven itself an extraordinarily nimble and visionary company, repeatedly moving to cannibalize its own sales before competitors do it for them.  If this succeeds, the company will be even more firmly established as the king of digital content.  And at that point, competitors may have to deal with them, whether they like it or not.


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