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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.
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The end of property

By Megan McArdle

Jan 7 2009, 3:56 PM ET Comment

So it looks as if iTunes will be largely DRM-free by April. Will that save the music industry?  I'm still not seeing a great deal of evidence that younger people who group up in an era when they didn't have to pay for music will start paying for it like those of us who grew up when the only way to get good sound without paying was to . . . er . . . steal it.

I am assured by Larry Lessig fans that the bands will just make it up on concerts, and anyway, this is good for the smaller indie bands that right-thinking people like.  I will be more convinced when I see an actual increase in the number of quality musicians who don't have to supplement their art with a job delivering pizza.


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