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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. She is currently on leave.
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Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero � all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Somewhere, Jonathan Swift is weeping bitter tears of rage

By Megan McArdle
Jul 15 2008, 3:55 PM ET Comment

This is . . . stupid.

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I want to laugh . . . but I can't laugh with the cartoonist, only at him. It's extraordinarily sad to witness someone whose imagination is so limited, their viewpoint so parochial, that they can't even adequately parody the other side.

An effective political cartoon, or merely a funny one, would have tried to imagine what a sympathetic cartoonist would have drawn, and then exaggerated it. The core fact about the Obama cover is that it was drawn by someone who likes Obama. This cartoon is so obviously drawn by someone who hates McCain that it fails on the most basic level. It might work as a nasty cartoon about McCain (though, really, Cindy McCain's drug problem is hard to make funny). But it does not work as a parody of the cover. And the tagline, conveying "I hate you, Morlocks" with such stunning efficiency, merely makes the artist look like a mean-spirited boor. Of course, a lot of committed partisans like cheering on mean-spirited boors as long as they agree with them, so I guess it doesn't fail at every level.

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