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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Strike out

By Megan McArdle
Apr 21 2008, 2:15 PM ET Comment

From what I understand, broadcast television never recovered from the blow it was dealt by the 1988 writer's strike; once viewers had found other outlets, many stuck with their newfound friends. Now it seems that this may be happening again:

Just because your favorite dramas and comedies are back on the air after the writers strike doesn't mean you're necessarily watching them. A preliminary look at ratings of returning programs on the big broadcast networks reveals that the "majority of original programming has failed to return to its pre-strike levels among key demos," according to Havas media-buying shop MPG.

The firm found that audiences are "coming back to some of the shows, but not most of them," said Nina Kanter, VP-director of communications analysis at MPG.


I feel like I used to mark off some of my week by television schedules--if it was Wednesday, that meant there would be an episode of House on the TiVo. Now that's pretty much fallen away. Nor can I say I particularly miss it, between Netflix, books, the internet, and the Wii. Most of the people I've talked to seem to feel the same way. It's early to tell yet, but I wouldn't be surprised if ratings took an even deeper dive this time around.

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