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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Please desecrate the original theme

By Megan McArdle
Apr 1 2008, 11:18 AM ET Comment

[Daniel Drezner]

Via Andrew, I see that Virginial Postrel is writing about Disney's attempts to revamp the "It's a Small World" ride:
Disneyland is revamping the "It's a Small World" ride to accommodate today's fatter passengers on its boats and, more controversially, to include Disney characters among the anonymous dancing dolls.

The family of the ride's designer, Mary Blair, recently joined fans in protest, sending a letter to the company denouncing the "gross desecration of the ride's original theme."....

"Small World" was designed for an audience that would rarely, if ever, encounter foreign cultures. Now it's a time machine back to a world in which international travel was rare and large-scale trade and immigration unknown.... Amid the complexities and conflicts of real globalization, the international appeal of Disney characters is as good a testimony as any that the children of the world really do share something in common.
I'm completely biased on this question.

The first and only time I ever visited the Magic Kingdom was when my wife-to-be took me there in my mid-twenties. The very first ride we went on was "It's a Small World." By the end of the ride I was so freaked out that I was convinced the dolls were whispering, "you must kill Mommy and Daddy" to the children. Maybe this is because I remain a Warner Brothers kid when it came to cartoons, but there it is.

I fully support anything that improves that ride, and I suspect Postrel is correct in arguing that the children would concur. Their parents, however, will likely rebel, because for them the ride is not about globalization, but nostalgia.

Question to readers: has anyone else had a bad Magic Kingdom experience, or does my reaction indicate the absence of a soul?

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