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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

The Pogues

By Megan McArdle
Mar 11 2008, 3:08 PM ET Comment

How were they, a reader asks? Well, I've been trying to see them live for going on fifteen years now, and it was worth the wait. They were pretty spry for a bunch of guys in their fifties, the music was good, and Shane McGowan was totally incomprehensible, which only made the show better. He did slip up at one point and deliver a perfectly lucid and understandable "How's everyone doing tonight?" back-and-forth with the screaming crowd, but it was a small flaw in an otherwise extraordinary show.

The funny part of the show was the demographics--I was one of the younger whippersnappers in the audience (Dave Weigel, who is in his mid-twenties, may well actually have been the youngest). Nonetheless a mosh pit formed around the stage, complete with fauxhawks and a few guys wearing bandannas on their heads, a look I thought had gone out sometime around 1993.

By the first encore, the front half of the floor at the 9:30 club was a writhing mass of bouncing bodies. Their perturbations were somehow eerily reminiscent of a bunch of guys with thick wool sweaters and pint glasses, swaying in unison as they belt out an old favorite in the pub. I waited with bated breath for the injuries to start, but apparently Boniva really works. Still, no one should slam dance in a polo shirt. And the absolute highlight of the evening was when Shane drunkenly knocked the microphone into the pit--and a guy in a cardigan handed it back.

Did I mention that for the actual last song, at the end of the second encore, Spider Stacy did his signature "bashing a beer tray against my head" percussion act? I mean, it really doesn't get much better than that.

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