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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

So you want to see a show . . .

By Megan McArdle
Mar 28 2008, 2:12 PM ET Comment

If you live in DC, I highly recommend that you get yourself over to the Folger and buy a ticket for the MacBeth which is running through sometime in April. The thing is as accessible as a movie and as powerful as, well, a Shakespearean tragedy. The casting is slightly uneven--in particular, Kate Eastwood Norris' Lady MacBeth is way over the top for a role I didn't think could be played too crazy. I like me some scenery-chewing, but her borderline hysteria from moment one makes it impossible to believe that MacBeth would have listened too her. However, Ian Merrill Peakes is terrific as MacBeth--not so much in the way he says his lines as in the way his body powerfully conveys what is going on when he isn't speaking. And Dan Olmstead is absolutely outstanding as (among other things) Duncan.

And you won't care about any casting lapses, because it's simply the best staging of a Shakespeare play I've ever seen, and the style of the Folger Theater, which is modeled on the Elizabethan, makes it even more powerful. Every detail is absolutely spot-on. The set is spare, and almost modernistic, but crawling with metal vines that perfectly evoke the rot at Dunsinane. The costumes are good, the stage direction is brilliant, and the score--provided by an onstage percussionist who is visible to the audience--provides nearly unbearable dramatic tension. At one point, a particularly wrenching noise caused me to throw my pen and notebook into the air. There's plenty of fake blood. And the comedic moments are pitch-perfect. The three weird sisters alone are worth the price of admission.

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