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Megan McArdle

Megan McArdle - Megan McArdle is a senior editor for The Atlantic who writes about business and economics. She has worked at three start-ups, a consulting firm, an investment bank, a disaster recovery firm at Ground Zero, and The Economist. More

Megan was born and raised on the Upper West Side of Manhattan, and yes, she does enjoy her lattes, as well as the occasional extra-dry skim-milk cappuccino. Her checkered work history includes three start-ups, four years as a technology project manager for a boutique consulting firm, a summer as an associate at an investment bank, and a year spent as sort of an executive copy girl for one of the disaster-recovery firms at Ground Zero … all before the age of 30.

While working at Ground Zero, Megan started Live From the WTC, a blog focused on economics, business, and cooking. She may or may not have been the first major economics blogger, depending on whether we are allowed to throw outlying variables such as Brad Delong out of the set. From there it was but a few steps down the slippery slope to freelance journalism. She has worked in various capacities for The Economist, where she wrote about economics and oversaw the founding of Free Exchange, the magazine's economics blog. She has also maintained her own blog, Asymmetrical Information, which moved to The Atlantic, along with its owner, in August 2007.

Megan holds a bachelor's degree in English literature from the University of Pennsylvania and an M.B.A. from the University of Chicago. After a lifetime as a New Yorker, she now resides in northwest Washington, D.C., where she is still trying to figure out what one does with an apartment larger than 400 square feet.

Alas, poor Card

By Megan McArdle
Dec 27 2007, 8:53 AM ET Comment

I just got back from Western New York, driving back to DC with my sister. She's a science fiction buff, and we listened to Orson Scott Card's Empire all the way down. Since I'd just read Peter Suderman's review of the book in the New Atlantis, I was interested to see what I'd think.

I'm afraid I agree with Mr Suderman: the book is dreadful. I'm an enormous fan of Card's, but there are some things no love can survive, and this book is one of those things. The book's premise of a plot to start a new American civil war is stupid. Card is phoning it in--apparently from somewhere with a very poor signal--and does nothing to make the story more believable. Characters this thin cannot be described with the traditional "paper" or "tissue"; they seem to be composed of some sort of special alloy fabricated to be exactly one molecule thick. Worse, they're not even entertaining. Stock fictional characters, well done, can provide hours of fluffy entertainment; these mostly bore one with ill-conceived sermons on politics and family life.

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