The band's sophomore album, Sound & Color, offers up sound experiments that are as wild as the voice over them.
Our roundtable on "The House of Black and White" and the plight of the queen mother
It's cool to see old films updated by J.J. Abrams. But it's not Star Wars if there's no new vision.
If anyone should be ditching the format, it's young, Internet-native musicians like Tyler, the Creator and Kendrick Lamar. Why do so many artists stick by it in the streaming age?
The late Percy Sledge's best-known hit portrays one-sided, obsessive infatuation, which is part of what makes it such a classic.
Maybe she's fighting ageism. But maybe she's making it worse.
Our roundtable on "The Wars to Come"—and what it means for the episodes to come
Fear not dead pop stars' holograms—they're more natural than they seem.
The sharing of a family secret has given the FX show a host of new ways for its characters to interact.
Some people obsess over the lyrics of Don McLean's 1971 hit. Others just appreciate it as enduring pop.
At last, the finale seemed to hint to viewers where the show is headed.
Beyonce and Rihanna's exclusive Tidal releases show that what was once a listener's paradise is now being carved into fiefdoms as competition between streaming platforms intensifies.
Take a deep breath, everyone.
The Daily Show protégé's controversial tweets illustrate how some kinds of bad humor can't survive.
Jay Z and other ultra-famous stars declare a revolution in the form of $20-a-month subscriptions.
Carrie & Lowell, his most challenging album yet, captures the subtle reality of loss.
Do not give in, do not download another selfie app to hear 20 seconds of "BBHMM."
Is this the end of the group's big, meta experiment?
He says 9/11 made him a country fan. Why doubt it?
PC Music is the Jeff Koons of the pop world, and might just transform it.