As the stories of Kurt Cobain and Amy Winehouse resurface again, the Brian Wilson biopic Love and Mercy tells of a tortured artist who lived.
The new Netflix show from The Matrix’s creators chronicles eight interconnected lives, tediously.
The musician—one half of The xx—mines dance history and culture on his new record, but even listeners unfamiliar with the genre can appreciate his songs.
The woman once known as Bruce Jenner is embracing her role as a public figure. But it’s impossible to forget that hers is a personal struggle, too.
Our roundtable discusses “Hardhome,” the eighth episode of the fifth season.
A song from 2011 is causing controversy now, proving how slowly the genre’s attitudes about women are evolving.
The gorgeous stew of At.Long.Last.A$AP may owe something to LSD, but it’s also in line with the genre’s recent turn toward progginess.
Our roundtable discusses “The Gift,” the seventh episode of the fifth season.
Will the streaming service’s new features transform how people work out, or just transform’s Spotify’s value proposition?
Why Makes Sense? sees the British band using synthetic sounds to bittersweet, beautiful effect.
It zanily explodes conventions around gender and action movies.
Our roundtable discusses “Unbowed, Unbent, Unbroken” the sixth episode of the fifth season.
In HBO’s new biopic, Queen Latifah plays the iconic blues singer whose talent was matched by her fierceness.
The guitarist, dead at 89, built himself into the figurehead of the genre.
Bush uses the rapper’s brand but not his talents as a vehicle for Pharrell’s funk and disco revival.
The show helped usher in an era where fans campaigned for their faves, prefab pop and authenticity weren’t contradictions, and anyone could make themselves a star.
Our roundtable discusses 'Kill the Boy,' the fifth episode of the fifth season.
In Netflix’s new show, Jane Fonda and Lily Tomlin star as women whose husbands fall in love, raising questions about sexuality and ageism.
According to a new Vanity Fair article, the director envisioned an Episode VII driven by teenage characters. But J.J. Abrams had different ideas.