The pitch-black HBO crime drama returns with a new location, and a host of new emotionally tortured characters.
Rick Famuyiwa’s uproarious film makes most other coming-of-age comedies seem like gentle fantasies.
The strange, conversational language of early Rolling Stone ads
Giorgio Moroder’s first album in 30 years, featuring Britney Spears and Sia, is no throwback.
Our roundtable discusses ‘Mother’s Mercy,’ the 10th episode of the fifth season.
Three Atlantic writers discuss the seminal Alanis Morissette album two decades after its release.
With Piper demoted to a supporting role for Season 3, the show can go anywhere.
It’s not far-fetched in the world of the show or the world we live in.
The latest wave of streaming services talk a lot about making the art form better. Does anyone believe them?
Our roundtable discusses “The Dance of Dragons,” the ninth episode of the fifth season.
As the stories of Kurt Cobain and Amy Winehouse resurface again, the Brian Wilson biopic Love and Mercy tells of a tortured artist who lived.
The new Netflix show from The Matrix’s creators chronicles eight interconnected lives, tediously.
The musician—one half of The xx—mines dance history and culture on his new record, but even listeners unfamiliar with the genre can appreciate his songs.
The woman once known as Bruce Jenner is embracing her role as a public figure. But it’s impossible to forget that hers is a personal struggle, too.
Our roundtable discusses “Hardhome,” the eighth episode of the fifth season.
A song from 2011 is causing controversy now, proving how slowly the genre’s attitudes about women are evolving.
The gorgeous stew of At.Long.Last.A$AP may owe something to LSD, but it’s also in line with the genre’s recent turn toward progginess.
Our roundtable discusses “The Gift,” the seventh episode of the fifth season.
Will the streaming service’s new features transform how people work out, or just transform’s Spotify’s value proposition?