Grasses—green, neatly trimmed, symbols of civic virtue—shaped the national landscape. They have now outlived their purpose.
The newest book from the writer/performer/showrunner isn’t just a memoir. It’s also a defense of something that has gotten a bad name: hard work.
The first episode of The Mindy Project since the series moved to Hulu takes a Sliding Doors approach to romance.
This is the image from Vanity Fair’s October-issue article that explains “Why Late-Night Comedy Is Better Than Ever.”…
From soothing soft rock to ska to death metal (!), The Golden Girls’s theme song has traveled down the road, and back again.
The pioneering sitcom about four women and their shoulder pads premiered 30 years ago today. It went on to make television better for everyone.
And all 19 of the Late Show’s writers are white. So.
My friends, let us respectfully tell you how passive-aggressive language has become.
And man created a literary genre composed entirely of humblebrags, and the world wept.
The comedian sneaked politics and policy—along with Captain America and Oreos—into his CBS debut.
In the debate over whether a byline should be Yi-Fen Chou or Michael Derrick Hudson, everything is subjective.
The man who made computers personal was a genius and a jerk. A new documentary wonders whether his legacy can accommodate both realities.
Much like Amazon and Uber, automat eateries offer speed, efficiency, and a lack of human interaction.
The space agency’s current symbol, a beloved signal of the agency’s storied past, wasn’t always so beloved.
Sometimes they’re amusing. Often, they’re mystifying. Occasionally, they’re transcendent. Whatever else they are, though, cartoons remain beloved components of a…
So, wait: Is Kanye actually going to run for president in 2020? It kind of makes you wonder…
Even as parents go to ridiculous lengths to ensure an original name for their child, the annual most-popular list documents how unconventional names have become the norm.
Paul Weitz's new film achieves what few movies have before: It assumes that a woman can be old and interesting at the same time.
The woman who gave her name to the women-in-culture standard would, true to the method, prefer to share the credit.
The author has doubled down on an earlier claim that he once considered adoption—not to help children, but to help his “creative process.”
The original Apatow blockbuster considers an age-old, and also thoroughly modern, question: How do you define adulthood?