Andre Dubus III, author of Dirty Love and The House of Sand and Fog, explains why the best work happens when you "back the fuck off."
His new book translates works by Karl Kraus, whose misgivings toward progress mirror Franzen's belief that technology can be "very harmful" to artistic production.
Author Ron Carlson was an unassuming, baseball-playing college student until a Fitzgerald story turned him into an impassioned English-major library vandal.
Novelist Paul Harding explains what Cheever's short story "The Jewels of the Cabots" taught him about portraying humans' contradictory impulses.
The band's Google-helmed interactive project critiques technology's seductive pull by telling viewers to "break free" from their devices—even as it asks them to plug in.
In 1972, Daniel Woodrell traded part of his lunch for a copy of Ernest Hemingway's posthumous novel. After he read it, he became determined to be a writer.
Edwidge Danticat, author of Claire of the Sea Light, believes that "re-creating your entire life is a form of reinvention on par with the greatest works of literature."
The author of & Sons says the Herman Melville classic regularly brings him to tears.
Two decades after first committing "In Praise of Limestone" to memory, Crain continues to find new meanings in the poem's structure and syntax.
The religious scholar from the viral Fox News interview explains how Dostoevsky's The Brothers Karamazov taught him the difference between faith and religion.
Alexander Maksik recalls how reading about torture and rebellion in "i sing of Olaf glad and big" in high school made him want to turn his apathy into contempt for apathy.
Jonathan Franzen, Margaret Atwood, David Gilbert, Roxane Gay, and other writers share their thoughts on what makes an inviting and memorable opening sentence.
The author of horror classics like The Shining and its 2013 sequel Doctor Sleep says the best writers hook their readers with voice, not just action.
The radio host accompanied his friend and collaborator to a dance-company show five months before his death in 2012—and inspired a passage in Rakoff's newly published book.
According to author (and Midwesterner) Susan Choi, Fitzgerald's description of Nick Carraway's remembered homecomings is the novel's most emotionally affecting passage.
F. Scott and Zelda's turbulent marriage gave both spouses material to write about, which in turn became writing material for subsequent generations of authors.
Hanan Al-Shaykh, author of The Story of Zahra and Beirut Blues, puts new emphasis on the lessons about compassion in Shahrazad's—or Scheherazade's—famous stories.
Cotton Tenants, the long-lost magazine story that led to And Now Let Us Praise Famous Men, finally sees publication—at a time when its message seems more urgent than ever.
The author of All the Dead Yale Men doesn't just tweak when he rewrites—he tries on entirely new points of view and genre styles to learn more about the story he's telling.
Author Peter Orner pays tribute to of one of the past century's great character builders.