The Pulitzer Prize-winning novelist Michael Chabon discusses what he learned about empathy from Borges’s “The Aleph.”
Franz Kafka’s work taught the writer Jonathan Lethem about how to incorporate chaos into narratives.
The novelist Nell Zink discusses the psalm that inspired her, and what she learned about the solitary artistic process from her Catholic upbringing.
The poem “Wild Nights! - Wild Nights!” taught the novelist Emma Donoghue about sexuality, ambiguity, and intimacy.
The novelist and poet Alice Mattison discusses finding inspiration in the unconventional short stories of Grace Paley.
For the writer Mark Haddon, Miles Davis’s seminal jazz album Bitches Brew is a reminder of the beauty and power of challenging works.
Despite critics’ dismissal of activist-minded fiction, the author Lydia Millet believes that Dr. Seuss’s classic children’s book is powerful because of its message, not in spite of it.
The writer Kathryn Harrison believes that words flow best when the opaque, unknowable aspects of the mind take over.
Dostoyevsky taught the writer Charles Bock that inventive writing is the most effective way to conjure reality.
Melissa Broder of So Sad Today finds solace in Ernest Becker’s The Denial of Death and in her own creative process.
The author Ethan Canin probes the depths of a single sentence in Saul Bellow’s short story “A Silver Dish.”
Philip Roth taught the author Tony Tulathimutte that writers should aim to show all aspects of their subjects—not only the morally upstanding side.
The author of The Queen of the Night describes how a scene by Charlotte Bronte showed him the dramatic stakes of social interaction in fiction.
The author Paul Lisicky describes how Flannery O’Connor pulls her subjects apart to make them stronger.
Highlights from 12 months of interviews with writers about their craft and the authors they love
The writer Kevin Barry believes that the medium’s best hope lies in the mesmerizing power of audio storytelling.
The Paris Review editor discusses why the best stories ask more questions then they answer.
Mary Gaitskill, author of The Mare, explains how a single moment in Tolstoy’s Anna Karenina reveals its characters’ hidden selves.
The ex-Granta editor John Freeman on how the author Louise Erdrich perfectly interprets Faulkner
When my wife was struck by mysterious, debilitating symptoms, our trip to the ER revealed the sexism inherent in emergency treatment.